On the opening track of Joanie Sommers' 1966 Columbia LP Come Alive!, the velvet-voiced singer seductively taunted, "You better love me while you may! Tomorrow I may fly away..." True, the Hugh Martin/Timothy Gray tune was originally sung by the late Elvira, a ghost haunting her husband in the musical High Spirits. But it could just as easily have applied to Sommers. Following a string of hit albums and singles for Warner Bros. Records, her home since 1960, the winsome "Pepsi Girl" and
Yeah, Yeah, Yeah! The Beatles' "On Air: Live at the BBC Volume 2" Rocks November
The worst-kept secret of this fall's upcoming release schedule is finally out - and we're shouting, "Yeah, yeah, yeah!" After weeks of speculation, Capitol Records has finally confirmed the November 11 arrival of The Beatles' On Air - Live at the BBC Volume 2. Its 63 tracks - encompassing 40 musical performances (37 of which are previously unreleased) and 23 selections of on-air, in-studio repartee - were all recorded for the Fab Four's 1963-1964 BBC radio performances on shows such as Pop Go
Special Review: Glen Campbell and Jimmy Webb Conjure Old Ghosts On Two New Releases
Since 1967, it’s been difficult to think of Glen Campbell without thinking of Jimmy Webb – and vice versa. When the ace session guitarist interpreted the young songwriter’s “By the Time I Get to Phoenix” on the album of the same name, the result wasn’t just a Grammy-winning hit single, but the beginning of a partnership that’s survived through six decades. Campbell scored successes with a string of Webb’s songs in the late 1960s (“Wichita Lineman,” “Galveston,” “Where’s the Playground, Susie”),
Lonely Boy No More: Edsel Honors Andrew Gold with Complete Albums Set
If you've been looking for a simple way to acquaint yourself with the soft rock stylings of the late Andrew Gold, Edsel may have just the set for you: a triple-disc, bonus-laden compilation of Gold's four albums for Asylum Records. The singer/songwriter/multi-instrumentalist enjoyed his greatest successes as one of the pre-eminent smooth pop tunesmiths of the late '70s. "Lonely Boy" was a Top 10 hit in 1977, while follow-ups "Thank You for Being a Friend" and "Never Let Her Slip Away" enjoyed
Hot Stuff: Donna Summer's Legacy Celebrated with New Remix Album
The sudden passing of Donna Summer in 2012 had fans old and new flocking to her music to hear some of the finest disco music imaginable. This fall, Verve Records will bring that legacy into a new era with Love to Love You Donna, a set featuring new remixes of her most enduring tracks. Happily, Love to Love You Donna features more than its share of enduring remixers to give Summer's hits the respect they deserve. Electronic funk duo Chromeo tackles her 1982 hit "Love is in Control (Finger on
Really Saying Something: Bananarama Reissues Coming from Edsel
"Hot summer streets and the pavements are burning, I sit around..." Summer may be over, but Edsel's given Bananarama fans quite the reason to sing and dance: on October 22, they will reissue all six of the London girl group's London Records albums as 2CD/1DVD sets. Known for their spunky, tomboyish image, powerful unison vocals and a style with one foot in both the past and the future - hits included covers of "Really Saying Something" by The Velvelettes, Steam's "Na Na Hey Hey Kiss Him
Review: Sly and the Family Stone, "Higher!"
Sly Stone was a sponge. After leading Bobby "Do You Wanna Dance" Freeman to a hit record with 1965's "C'mon and Swim," the writer-producer-artist formerly known as Sylvester Stewart knew he had hit on a good thing. Hence, "I Just Learned to Swim." Then, "Scat Swim." But on the latter, Stone was already showing off his stylistic diversity, interrupting the beat to "slow it down a little so everybody can swim" and then speeding it back up again. He had soaked up the fertile creative
Review: The Beach Boys, "Made in California"
If everybody had an ocean... Rarely have five simple words in pop music held such promise. The message at the time was an invitation squarely aimed at teens: “If everybody had an ocean, across the USA/Then everybody’d be surfin’ like Califor-ni-a...” But ultimately, the promise and California dream embodied by Hawthorne, CA’s native sons came to mean so much more than mere surfin’. The sound of The Beach Boys – Brian Wilson, Mike Love, Carl Wilson, Dennis Wilson, Al Jardine, David Marks,
Review: Dionne Warwick, "We Need to Go Back: The Unissued Warner Bros. Masters"
We need to go back to the songs we used to sing... - Nickolas Ashford and Valarie Simpson, “We Need to Go Back” What’s remarkable about the 19 outtakes on Dionne Warwick’s We Need to Go Back: The Unissued Warner Bros. Masters (Real Gone Music RGM-0170) is that they’re every bit as good as – and in many cases, superior to - the music actually released during Warwick’s stormy five-year stay at the label. Every one of the soulful stylist’s Warner albums is represented with outtakes save 1972’s
Review: Dionne Warwick, "The Complete Warner Bros. Singles"
Dionne Warwick’s 1972-1977 tenure at Warner Bros. Records has long been a subject of much confusion. Why couldn’t the Burbank giant yield any hit records with the superstar artist after signing her to a record-breaking deal? Sure, the “triangle marriage” of Warwick, Burt Bacharach and Hal David was breaking up, but Warner paired her with some of the most famed names in soul music: Holland-Dozier-Holland, Jerry Ragovoy, and Thom Bell among them. Bell scored a hit for Warwick with “Then Came
Review: Elvis Presley, "Elvis at Stax"
The distance from 3764 Elvis Presley Boulevard , or Graceland, to Stax Records' headquarters at 926 East McLemore Avenue is just a little over 5 miles. So when RCA Records came calling on the once and future King in mid-1973 to fulfill an obligation to record 24 songs (a 10-song album, four single sides, and a 10-song "religious album"), the studio founded by Jim Stewart and Estelle Axton seemed to be the perfect locale. Recording at home in Memphis had always brought something special to
Make Way For Dionne Warwick: 23 Scepter and Warner Bros. Albums To Be Remastered and Expanded [NOW WITH UPDATED TRACK LISTINGS]
UPDATE 8/6/13: WEA Japan's deluxe mini-LP editions of Dionne Warwick's Scepter and Warner catalogue have finally arrived, but many purchasers have been surprised to find numerous alterations in the albums' bonus material. Originally-listed bonus tracks have been added, dropped, and reshuffled between albums. By the numbers, there are 5 more bonus tracks than originally listed, but some songs are absent with others taking their place. Below, in BOLD, we'll let you know exactly what you'll
SoulMusic Records Is "Born to Love" With Reissues from Peabo and Roberta, Nancy Wilson and Tavares
With its latest batch of reissues, including titles from Peabo Bryson and Roberta Flack, Tavares, and Nancy Wilson, Cherry Red's SoulMusic Records imprint can truly be said to cover a wide swath of the soulful spectrum. Duets have long been staples of great R&B. Marvin Gaye and Tammi Terrell, Roberta Flack and Donny Hathaway, James Ingram and Patti Austin, and Otis Redding and Carla Thomas - just to name a few in the pantheon - all proved that "it takes two." (That title, in fact, gave
Review: Nilsson, "The RCA Albums Collection"
A largess universal like the sun His liberal eye doth give to every one, Thawing cold fear, that mean and gentle all, Behold, as may unworthiness define, A little touch of Harry in the night. - William Shakespeare, Henry V, Act IV He's a pretty nifty guy Always looks you in the eye Everybody passing by will sigh For Harry... - Eric Idle, "Harry" Harry Nilsson had the voice of an angel, and raised hell like the devil. A consummate songwriter, he had his biggest hits with two songs
The Anita Kerr Singers Step Out of the Background On Reissue of "The Genius in Harmony"
The release of director Morgan Neville's documentary 20 Feet from Stardom has rightfully placed the spotlight on those dynamite vocalists who toil in the shadows on record and onstage, often without credit. Background singers are part and parcel of the story of popular music, and Neville's film has given richly-deserved attention to Darlene Love, Merry Clayton, Claudia Lennear, Judith Hill, and other greats of the field. The story of background groups like The Breakaways, The Jordanaires, The
Release Round-Up Special: James Taylor, CSN, "Blade Runner" Released by Audio Fidelity
In lieu of a standard Release Round-Up this week, here's a look at the major three titles that are out today: the latest gold discs and SACDs from Audio Fidelity. The titles released today are Crosby, Stills & Nash's CSN, James Taylor's Gorilla and Vangelis' soundtrack album to Blade Runner. The third studio album by the folk-rock supergroup Crosby, Stills and Nash, released in 1977, is crucially different from the ones before - this time, there's no contribution from Neil Young. (Young
Wherever He Lays His Hat: Cherry Pop Collects Paul Young's "Remixes and Rarities"
For Daryl Hall, "Every Time You Go Away" might have been "the one that got away." Hall recorded his song on Hall and Oates' 1980 album Voices, where it languished as an album track in the shadow of hit singles "Kiss on My List," "You Make My Dreams," "How Does It Feel to Be Back," and "You've Lost That Lovin' Feelin'." But you can't keep a great blue-eyed soul ballad down. In 1985, Hall's composition became the centerpiece of British-born Paul Young's sophomore album The Secret of
Ring Ring! ABBA's Debut Album Gets the CD/DVD Treatment This Fall
It's been four decades since Agnetha Fälksog, Benny Andersson, Björn Ulvaeus and Anni-Frid Lyngstad came together to change the face of pop music. This fall, the first album by the group the world now knows as ABBA is getting an expanded CD/DVD treatment - and those who are interested as to how the quartet came together will have a lot of bonus tracks to discover and enjoy. When the single "People Need Love" was released in 1972, it was intended as a one-off collaboration between three
Jerry Lee Lewis, The Ronettes, Del Shannon, Louis Armstrong Feature On "The London American Label 1964"
1964 will forever be remembered on American shores as the year of Beatlemania, when those four moptops from Liverpool led the British Invasion to the top of the pop charts. That tale has been chronicled many times, but one of the most recent releases from U.K.-based label Ace tells the story of the year's American Invasion - via the American records imported to London on the London American label. This latest volume in the long-running series (which now features an entry for each year between
Gene Pitney Is "Looking Through the Eyes of Love" On New RPM Two-Fers
After a long hiatus, Cherry Red's RPM label is continuing its series of reissues dedicated to the late Gene Pitney ("Twenty Four Hours from Tulsa," "Town Without Pity," "The Man Who Shot Liberty Valance"). The singer's long out-of-print albums for Aaron Schroeder's Musicor label were reissued on CD in a series of two-fers by Sequel Records in the late 1990s, but upon their deletion from the catalogue, they began commanding high prices on the second-hand market. Since then, the Pitney
The Bright Side of Life: Harry Nilsson's "Flash Harry" (Finally!) Comes To CD In Expanded Form
What should have been a new beginning became a rather inauspicious end to a remarkable career. Harry Nilsson's final studio album, 1980's amusingly-titled Flash Harry, was his first on the Mercury label. It followed a decade-plus stint at RCA and signaled a fresh start. But despite its starry array of musicians, and typically solid songwriting, the album produced by Stax guitar legend Steve Cropper with engineer Bruce Robb was withheld from release in North America. Flash Harry only was
Don't Walk On By: Dionne Warwick's "Unissued Warner Bros. Masters" Joins "The Complete Warner Bros. Singles" On CD
When Dionne Warwick signed on the dotted line with Warner Bros. Records, the possibilities must have seemed endless. The singer had embraced change, after all. A new decade was in its infancy. She had traded a feisty New York independent (Scepter) for a Burbank giant. She had even added an "e" to her surname on the advice of an astrologer. And although the exact amount wasn't disclosed, Warwick had reportedly signed the biggest deal ever for a female vocalist. What didn't change, at least
She's Got The Beat: Belinda Carlisle's Deluxe 2-CD/1-DVD Reissues Due in August (UPDATED WITH TRACK LISTINGS)
The Tabu catalogue isn't the only major acquisition of late for the Demon Music Group. Back in March, Demon - home to labels including Edsel, Harmless and Music Club Deluxe - announced that a deal had been struck for much of the solo catalogue of onetime Go-Go Belinda Carlisle. Ooh, baby, do you know what that's worth? Demon picked up rights to four of Carlisle's studio albums, the rights to which had previously resided with Virgin (part of the former EMI). Demon's agreement covers the
What's It All About: Burt Bacharach Celebrated On PBS, Lost Song Included on "Dionne Warwick Sings Burt Bacharach"
The first voice you’ll hear on My Music: Burt Bacharach’s Best, now airing on PBS stations nationwide, is that of The Maestro himself. “What’s it all about, Alfie?,” he sings in his familiar, quavering tone, finding the fragility in the Hal David lyric that he calls his favorite. Then comes “What the World Needs Now is Love,” sung by its composer with an assist from that International Man of Mystery, Austin Powers (Mike Myers). It’s appropriate that the solo Bacharach introduces this
Good Love: SoulMusic Expands Two From Nancy Wilson and Meli'sa Morgan
Following its 2012 reissue of R&B songstress Meli'sa Morgan's Capitol Records debut Do Me Baby, Cherry Red's SoulMusic Records imprint has turned its attention to Morgan's second long-player for the label. Good Love built on the success of Do Me Baby. Besides boasting a No. 1 R&B title track, the album established the Queens-born Morgan as a top R&B talent in her own right. She had previously sung on background vocals for the likes of Whitney Houston and Kashif, and fronted the
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