/ Soundtracks

This Friday is a momentous occasion for fans of Superman: after a decade on the air, the television drama Smallville - which focuses on a teenaged Clark Kent's transition into adulthood, bringing him closer to his destiny as the Man of Steel - will complete its run with an extended series finale that will likely finally see actor Tom Welling wearing the blue tights and red cape (even if for a brief moment). Though some have certainly reacted with bemused shock that Smallville is still on the

One year before Curtis Hanson made film noir hip again with LA Confidential, director Lee Tamahori and screenwriter Pete Dexter proved that there was still a lot of life in the old form.  They assembled an all-star cast led by Nick Nolte, Chazz Palminteri, Jennifer Connelly and John Malkovich for Mulholland Falls.  The production was top-notch, with the legendary Haskell Wexler (In the Heat of the Night, One Flew Over the Cuckoo’s Nest, The Thomas Crown Affair) signed as cinematographer, and

This week's soundtrack reissues from Intrada are an underrated '70s soundtrack album making its CD debut and the premiere of a '50s World War II score. First up, the score to Sleuth, a 1972 film adaptation of the Tony-winning play by Anthony Shaffer. The British playwright adapted his own work for the screen, and All About Eve director Joseph L. Mankiewicz was at the helm, with a stellar cast anchored by Laurence Olivier and Michael Caine, both of whom were nominated for Oscars for their

Anyone who thinks the world of soundtrack reissues is a simple one hasn't been keeping up with the tempest brewing over Perseverance Records. The indie soundtrack label is coming under heavy fire for what many perceive as an improperly licensed release of Elmer Bernstein's score to Slipstream. Interestingly, the charge is being led not by fans but by another label head: Film Score Monthly's Lukas Kendall, who posted on his label's message board a pair of messages pulling the curtain back on

It can fill up a room in seconds, gets unexplainably bigger every day and can consume anything it touches. No, not your music collection - The Blob! The ectoplasmic entity - as remade in 1988 - is the latest expanded soundtrack to come from La-La Land Records today. A remake of the classic 1958 sci-fi/horror flick, The Blob finds the titular monster consuming the helpless population of a California town - but rather than some space creature, this blob is a military bio-weapon gone horribly

Some small but significant premiere releases have bowed from Intrada this week: a dynamic sci-fi score from the '70s and a comedic action romp from the '90s. Ravagers was a brooding post-apocalyptic film featuring Richard Harris as a vigilante safeguarding against the titular band of marauders hell-bent on killing any survivors they can find. Art Carney and Ernest Borgnine co-starred in this forgotten thriller, and the score was composed by Fred Karlin, a jazz arranger who gained prominence in

Our apologies for not getting these titles to you earlier, but there's been a lot of action on the indie soundtrack label front, with two titles announced by Film Score Monthly late last week and three from La-La Land that went on sale yesterday and are selling briskly. Over at FSM, the label released Friday a short but powerful score to the film Testament, a 1983 drama featuring Jane Alexander as a mother coping with the fallout from a nuclear blast outside their California suburb. The

Les Baxter sure gets around. The past year has seen reissues of the maestro's scores from a number of labels including Intrada, La-La Land and Kritzerland, and the latter ups the ante today with the release of the exotica master's score to 1960's infamous Black Sunday (La Maschera del Demonio, or The Mask of Satan). Mario Bava's Italian horror classic stars Barbara Steele, John Richardson, Arturo Dominici and Ivo Garrani in the tale of a vampire/witch put to death by her brother who is reborn

Sony's Masterworks Broadway label has announced the next three titles it will rescue from the vaults of Columbia and RCA Victor, and the albums have one person in common: Richard Rodgers. Still one of the most-recorded composers of all time (Rodgers' "My Funny Valentine," co-written by Lorenz Hart, was the third most-covered song of 2010 according to ASCAP, no small feat considering the song was written in 1937!), Rodgers' collaborations with both Hart and Oscar Hammerstein II are represented in

Fans of Hugo Friedhofer and Alfred Newman have had much to applaud lately, thanks to Kritzerland’s recent reissues of Friedhofer’s One Eyed Jacks and Newman’s The Counterfeit Traitor. Our friends at Intrada last night delivered more for fans of those Golden Age titans with the release of the scores to Two Flags West (1950) and North to Alaska (1960) on one CD; Friedhofer composed the former while Alfred Newman conducted. For the latter, Alfred’s brother Lionel handled scoring duties and also

Film score collectors are among the most insatiable music purchasers, but luckily, there’s frequently a steady stream of releases. Three new and exciting titles have just been announced. Direct from Los Angeles on the estimable Kritzerland label comes Phillipe Sarde’s score to Roman Polanski’s 1986 film Pirates. A continent away in Spain, the Quartet Records label has been growing an impressive library of soundtracks, and the label has recently announced two new additions: John Barry’s 1965