Some legends are repeated so often that they’ve come to be accepted as the truth. One such legend has it that the suits at Columbia Records, circa 1960-1965, were a chain of fools who kept Aretha Franklin from reaching her potential. After all, the record states that one year and one record after being released from Columbia, a superstar was born. But what if that notion was completely incorrect, and Aretha Franklin’s talent was already fully formed and on display at Columbia? Listen to the
Everybody Dance! Japan Gets New CHIC Compilation
As a celebration of being cancer-free, CHIC guitarist and producer extraordinaire Nile Rodgers announced today that Warner Japan was releasing a new compilation of material that spans both his work with the legendary disco band and in the producer's chair. Everybody Dance!, billed as "a tribute to my longtime partner Bernard Edwards" on the front cover (it's approaching the 15th anniversary of the bassist's death), is a two-disc set full of hits, one new track - and one absolute oddity. Disc 1,
The Second Disc is Grand
Well, one grand, anyway. This post is the 1,000th regular post on The Second Disc. I think I speak for myself and Joe pretty well when I say this is damn exciting. With our hit count now regularly around 3,000 and up per day, it's heartening to know that so many people (or a few people a lot of times per day, or robots) like reading news on reissues and box sets, and the crazy would-be sets that we'd like to think could be made in the future. On the right side of the page, we have a link called
Reissue Theory: Aretha Franklin at Arista
The music industry is littered with careers that crashed after a second chance at the spotlight. This could have easily befallen even a legend like Aretha Franklin; the Queen of Soul had in fact risen on a second chance at Atlantic after a largely unsuccessful career with Columbia, but by the late 1970s, Aretha's attempts to fall in with the trends of rhythm and blues were frequently derided, and ultimately she would sever her ties with the label. Against all odds - not counting the fact that
Reissue Theory: Aretha Franklin, "Sweet Passion: The Lost Atlantic Years"
Welcome to another installment of Reissue Theory, where we reflect on great albums and the reissues they could someday see. Aretha Franklin began her groundbreaking stint at Atlantic Records in 1967 and it wasn’t long before a legendary star was in the ascendant. Yet the final chapter of Aretha’s Atlantic story has been all but forgotten. Today’s Reissue Theory takes us back to 1974 as we revisit the “lost albums” of Aretha Franklin. There are plenty of adjectives that can be used to describe
Review: "Inner City: The Original Broadway Cast Recording"
"I look around and what do I see? Nothing's the way it used to be..." In 1969, Eve Merriam bluntly took aim at violence, racism, corruption and poverty in her ironic collection of verse, Inner City Mother Goose. Controversial from the outset, Merriam's Mother Goose became one of the most banned books in the country. Enter visionary theatre director Tom O'Horgan. Having replaced Gerald Freedman for Hair's move uptown in 1968, O'Horgan was well known for his experimental flair. Julian Barry's
Kickstarting a New Reissue Project
(Note: I was remiss by not initially thanking Thierry Côté for linking to this story on Twitter. Thanks!) In the early days of remasters and reissues, the best way for an album to get expanded was to be a critical and commercial success. As time went on, that thankfully wasn't always the case; reissues could serve as critical reappraisals or reminders of undersold gems by popular performers. Gradually, as the majors tightened their belts, independent labels were on hand to continue work on
Rare Cinema Treasures from Barry, Addison and Sarde Coming Soon
Film score collectors are among the most insatiable music purchasers, but luckily, there’s frequently a steady stream of releases. Three new and exciting titles have just been announced. Direct from Los Angeles on the estimable Kritzerland label comes Phillipe Sarde’s score to Roman Polanski’s 1986 film Pirates. A continent away in Spain, the Quartet Records label has been growing an impressive library of soundtracks, and the label has recently announced two new additions: John Barry’s 1965
Review: Various Artists, "Manhattan Soul: Scepter, Wand and Musicor"
Tomorrow evening, New York’s Broadhurst Theatre will be filled with the sounds of soul. The new Broadway musical Baby, It’s You! will begin previews on March 26, bringing to the stage the story of New Jersey housewife Florence Greenberg (portrayed by Tony Award winner Beth Leavel) and her mighty musical empire founded in 1959. Greenberg, a pioneering woman in a field then dominated by men, nurtured the careers of The Shirelles and Dionne Warwick, among others, shepherding the songs of Carole
Review: "It's a Mad, Mad, Mad, Mad World: Original MGM Motion Picture Soundtrack"
Close your eyes for a moment and pretend you're on Jeopardy! The answer: "This 1963 widescreen epic opened Hollywood's Cinerama Dome." The question: "What is It's a Mad, Mad, Mad, Mad World?" Raise your hand if you got it right! Yes, Mad World, as we'll abbreviate it for expediency's sake, is this author's epic film to end all epic films (sorry, Ben-Hur!) and certainly one of the only Hollywood epic comedies! While the designation "all-star" has been applied before and since, perhaps no film
Reissue Theory: Elton John, "To Be Continued...1992-2010"
Welcome to another installment of Reissue Theory, where we reflect on notable albums and the reissues they may some day see. It's been over two decades since Elton John released his career-spanning To Be Continued... box set, and so much has happened with his career since then. How do you cover such ground? Simple - make another one! It’s only appropriate that Elton John titled his 1992 album The One. It was a major first for the superstar: his first album recorded in all too many years without
Love Makes the World Go Round: London Cast "Carnival" Hits CD
Priscilla: Queen of the Desert. Sister Act. Catch Me If You Can. Today’s Broadway is populated by adaptations of familiar movies; in 1961, such screen-to-stage transfers were rare. When they did occur, the authors usually changed the title of the film to signify that their musical version was, indeed, a new work. (Imagine producers today allowing authors to diverge from a famous property's title!) Such creative freedom resulted in some of the most inspired musicals in stage history, and one such
Reissue Theory: Stevie Nicks Solo - and Beyond
Welcome to another installment of Reissue Theory, where we reflect on notable albums and the reissues they could someday see. With anticipation running high for a new album from Stevie Nicks in a few months, we bring you a special look back at her first two solo albums - which have never been expanded - and that one record she's on that fans have been anxiously waiting for an official CD release... This post is dedicated with love to Stephen Sears, a good friend of The Second Disc. Today is his
Five Disco Classics Coming from Big Break in April (UPDATED 3/16)
Big Break Records continues its busy schedule with five new disco and dance titles from the '70s and '80s coming to CD on April 25. The records in question are Open Sesame by Kool & The Gang (which spawned several danceable hits in the title track - heard in Saturday Night Fever - and "Super Band"); Pennye Ford's Pennye and Yarbrough & Peoples' Be a Winner, both cut for the Total Experience label in the mid-'80s; and the sole albums by Loose Change and TJM, both of which were produced
A Rumor That Would Put Me in a "State of Shock"
It's one of my favorite Michael Jackson stories: not long after Thriller, Jackson and Randy Hansen collaborate on a few songs together, one of which ends up on The Jacksons' mostly-forgettable Victory in 1984. That song, "State of Shock," is recorded as a duet with Mick Jagger and becomes the biggest hit off the album. The thing is, though, that Jagger wasn't meant to sing the song. Hansen was. And Hansen isn't even a real person. It's the pseudonym of one Freddie Mercury, the Queen frontman
Friday Feature: "The Graduate"
“Just one word…plastics.” With that one word, spoken to the disaffected Benjamin Braddock (Dustin Hoffman) by an associate of his father’s, the audience viewing 1967’s film The Graduate, could both laugh and sneer along with Benjamin. After all, “plastics” stood for all that was superficial and fake in society. Mike Nichols, directing only his second feature film after a successful Broadway career, was anything but subtle as he masterfully threaded the film’s themes throughout every aspect of
Review: Neil Diamond, "The Bang Years 1966-1968"
When it comes to Neil Diamond, I'm a believer. There's not a trace of doubt in my mind that Diamond burst onto the scene at the right time - not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on The
Paul Rutherford Says "Oh World" Once More
Since The Second Disc has started, we've seen some pretty neat catalogue projects tied to Frankie Goes to Hollywood, namely reissues of the band's original two LPs from ZTT/Salvo and a 12" remix compilation featuring rare tracks from the band. Cherry Pop has another FTGH-oriented catalogue project coming out in U.K. next week. Oh World was the first LP by Paul Rutherford, known as a backing vocalist and dancer with Frankie (and one of the two openly gay members of the band). In 1989, not long
Nektar's "A Tab in the Ocean" Released in Expanded Edition
"I wonder what would happen if a giant tab of acid was dropped into the sea?" asked a member of the progressive rock band Nektar some forty years ago, recalled Roye Albrighton, Nektar's guitarist and vocalist. Albrighton and his mates parlayed their curiosity into the group's acclaimed second album, appropriately titled A Tab in the Ocean. Philadelphia's ItsAboutMusic.com label has just reissued that recording in a deluxe two-CD set also containing a bonus "lost album," In the Beginning: The
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I'll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon's Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, "Just One Look," and DeShannon offering up the likes of "When You Walk in the Room" and "Put a Little Love in Your Heart." Both had
Masterworks Jazz Continues "Cool Revolution" with a Quartet from CTI
Chances are, if you think of a jazz artist, it wouldn't take many degrees of separation to reach Creed Taylor. The esteemed producer began his career at Bethlehem Records overseeing a roster including Herbie Mann, Charles Mingus, Carmen McRae, J.J. Johnson and Kai Winding. In 1956, he departed Bethlehem for ABC-Paramount, where in 1960 he launched the Impulse! label with artists like Johnson, Winding, Ray Charles and John Coltrane. It was at Impulse! that Taylor came into his own, emphasizing
Ray Charles "Live in Concert" to Be Expanded
Ray Charles took the Shrine Auditorium by storm in 1964, following a tour of Japan. That fiery show was recorded (unbeknownst to the Genius himself) and released as Live in Concert in 1965. Now, Concord is prepping an expanded edition of the concert with several unreleased bonus tracks from the same show. Though the original 12-track LP touched on some great hits and standards as only Ray could sing them - "What'd I Say," "I Got a Woman" and "Hallelujah, I Love Her So" chief among them - the
Back Tracks: Aerosmith, Part II - The Geffen Years and Beyond
Way back in January we did a Back Tracks feature on Aerosmith's Columbia discography, just as Steven Tyler was beginning to crazy it up on American Idol. However, since then Tyler has become a solid asset for Idol fans, and it wouldn't be surprising if the end of the show's current season didn't dovetail into some sort of Aerosmith resurgence. With that in mind, let's take a look from where we left the band in the last Back Tracks special. 1982's Rock in a Hard Place saw original guitarists
The Man Who Sang "Liberty Valance": RPM Continues Gene Pitney Reissues
With one of the most resonant and recognizable voices in rock and roll, Gene Pitney (1940-2006) was the rare American talent to be able to withstand the British Invasion and continue to thrive. He collaborated with Phil Spector and The Rolling Stones, wrote hit songs for Roy Orbison, Bobby Vee, Ricky Nelson and the Crystals, and brought to life the songs of others, too. Among the recipients of the Pitney treatment were Burt Bacharach and Hal David, Carole King and Gerry Goffin, Barry Mann and
It's Official: Queen Will Rock Fans with U.S. Reissues
To finally clear up all the confusion, Hollywood Records issued a press release confirming that the upcoming reissues of the band's first five LPs - the ones we've covered at great length here - will be getting Stateside releases this spring. As with the U.K. versions coming from Island/UMe in March, these sets will be two discs each, pairing the original LPs with a bonus disc of rarities. (The track listings are identical worldwide.) The Deep Cuts compilation is not set for a U.S. release, but
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