Not long after Joe had posted about Rhino's upcoming expansion of Van Morrison's Moondance, I vocalized my pleasant surprise at the news. Morrison's history with reissues has been spotty at best; a late-2000s reissue campaign was quickly halted and almost instantly commanded top dollar on the secondary market. The next day, however, Morrison issued a statement denouncing the project, taking particular issue with the wording of the press release suggesting he was involved. "It is important that
Review: Merry Clayton, "The Best of Merry Clayton"
Say “yes” to Merry Clayton! It takes a certain kind of talent to exercise restraint, to be able to generously support another artist while maintaining your own high standard of art, expression and individuality. That’s the story of the background singer, and the story told by director Morgan Neville in his new film 20 Feet from Stardom. Merry Clayton is seen in the film, both savoring and gently ribbing her role as the “diva” of the background singing clique – as the “lead background singer,”
Tell All The People: "The Best of Merry Clayton" Shines Spotlight on "Gimme Shelter" Singer
For Merry Clayton, fame was just a shot away. For she was a member of a very exclusive club of well-respected yet all-too-unheralded performers: background singers. Documentarian Morgan Neville’s new film 20 Feet from Stardom chronicles some of the great artists who have excelled in that capacity, including Clayton, Darlene Love, Lisa Fischer, Judith Hill, Claudia Lennear and Táta Vega. Many of music’s greatest background singers also had solo careers, though, and Legacy Recordings and Ode
Review: Southside Johnny and the Asbury Jukes, "Playlist: The Very Best Of"
When Bruce Springsteen gave the green light to officially release his 1973 recording of “The Fever” on 1999’s 18 Tracks, The Boss’ decision was rightfully greeted with acclaim. But many of us Jersey boys were in on a secret: Bruce wrote it, but “The Fever” belonged to Southside Johnny Lyon and his Asbury Jukes. Springsteen’s torrid evocation of a burning blue-collar romance, as produced by “Miami” Steve Van Zandt, was the centerpiece of the band’s 1976 Epic Records debut I Don’t Want to Go
Review: The Pogues, "The Very Best of The Pogues"
Since the birth of the greatest hits album, the preparation of such a product has become a bizarre form of performance art. Do you include only hit singles or sprinkle in favorite album cuts? Do you keep things chronological or craft some sort of fancy playlist for maximum listening pleasure? How intricate do you make the packaging - do you need liner notes, song-by-song credits and all that? The fires of these debates are further stoked with the release of The Very Best of The Pogues (Shout!
Compilation Watch: Best-Ofs Planned for Whitney Houston, Kelly Clarkson
Next month - the all-important Christmas shopping season - sees two compilations from two immensely popular singers from the RCA roster with unmistakable voices. The label will release new compilations in the same week for departed R&B legend Whitney Houston and American Idol winner Kelly Clarkson - the latter of whom definitely owes more than a little of her style to the former. I Will Always Love You: The Best of Whitney Houston marks a few firsts in Whitney's catalogue: it's her
Pretty Paper: Willie, Elvis, Luther, John Denver, More Collect Holiday Best on "Classic Christmas Album" Releases
Sleigh bells ring – are you listening? Legacy Recordings certainly hopes you are, as a bounty of new holiday-themed collections is coming your way. The first Classic Christmas Album arrived last year, a compilation of Christmas favorites from Tony Bennett (including a previously-unreleased version of “What Child is This?”). More titles are on the horizon to make spirits bright this year, and we have details on five of them to share right now, with more news to come! On October 2, Legacy will
Cast Your Fate to the Wind with New "Very Best of Jazz" Collections From Brubeck, Evans, Guaraldi, More
What makes a legend most? When it comes to the legends of jazz, Concord Music Group has that answer for you. Earlier this year, Concord launched The Very Best Of, a new series of "Jazz 101" collections designed at an affordable price point. These compact sets might introduce new fans to daunting catalogues, or offer longtime fans a compact sampler of a favorite artist. The first wave of titles arrived for Miles Davis (trumpet), John Coltrane (tenor saxophone), Sonny Rollins (tenor
Tuesday Tidbits: Incubus Teams with Best Buy on Exclusive "HQ," Bert Jansch's "Heartbreak" Is Expanded, and Musicians Fight Epilepsy with "Joey's Song"
Today is the day for a 2-CD/1-DVD set of previously unissued live performances from the band Incubus. Celebrating their twentieth year together, Incubus is launching a 4-week, 18-city tour co-headlining with Linkin Park. The tour kicks off tonight in Boston, Massachusetts, but the performances on Incubus HQ Live date from one year ago, recorded in West Hollywood, California. That was when the band set up shop at a storefront on La Brea Avenue for seven special nights of performances. HQ Live
The DJ That Rocked: "Singles Collection" Compiles Best of Tony Blackburn
Richard Curtis’ 2009 film The Boat That Rocked paid affectionate homage to the pirate radio stations of the 1960s, but real-life pirate DJ Tony Blackburn said that “we didn’t have the fun that they obviously had in the film.” Rose-colored glasses or not, Curtis’ film dramatized the period when offshore radio stations challenged the rigid formatting of the BBC. Blackburn was just 21 in 1964 when he first set sail on Radio Caroline. He jumped ship two years later for Radio London, and survived
"The Very Best Of" Jazz: Concord Launches New Series With Davis, Rollins, Coltrane and More
If you've ever felt it might be a daunting task to "get into" jazz, Concord Music Group just might have the perfect releases for you. Concord is home to many of the genre's greatest labels, including Prestige, Contemporary, Riverside, Milestone, Fantasy and Pablo. With the new series simply titled The Very Best Of, the Concord team has offered an affordable, entry-level look into five of the most influential musicians of all time: Miles Davis (trumpet), John Coltrane (tenor saxophone), Sonny
Reissue Theory: Van Halen, "The Best of 1978-1984"
Welcome to another installment of Reissue Theory, where we focus on notable albums and the reissues they may someday see. As Van Halen prepares to take Second Disc HQ by storm, we reflect on a compilation that almost was, and how it could've been done, TSD-style... Van Halen are mere hours away from their second show at Madison Square Garden in New York City, part of their latest tour in support of their first album in 13 years (and first with lead vocalist David Lee Roth since 1984), A
Review: Aretha Franklin, "Knew You Were Waiting: The Best of Aretha Franklin 1980-1998"
Aretha Franklin is serious about her royalty. Billed on her newly-activated Twitter account as "the undisputed Queen of Soul" (take that, Tina Turner!), Franklin doesn't take her title lightly. But for a brief period, the artist's credentials as reigning Queen of Pop were just as unimpeachable. When Aretha joined Arista Records in 1980, it was after five disappointing albums at Atlantic, none of which have ever seen the light of day on compact disc. On those LPs, producers as diverse as
Mighty Love: Detroit Spinners' Best Compiled On New 2-CD Anthology
If an award were given for the Best Second Act in Popular Music, it might well go to The Spinners. Signed to Motown in 1963 after early successes at Gwen Gordy’s Tri-Phi label, The Spinners – singers Henry Fambrough, Pervis Jackson, Billy Henderson, C.P. Spencer and Bobbie Smith - had difficulty ascending to premier status at the Motor City label. After some moderate hits like “Truly Yours” in 1966, the group’s biggest brush with the charts came in 1970 when Stevie Wonder gifted them the song
Compilation Watch: New Best-Ofs by Goldfrapp, Martina McBride Coming in 2012
Here's some more upcoming releases to shake the malaise off the new release schedule: two very different compilations from two very excellent ladies in the dance and country genres. Her name isn't mentioned as often as Faith Hill or Shania Twain, but Martina McBride was one of a treasured few country starlets who enjoyed a contemporary pop crossover or two. Her first big moment outside of Nashville came in 1997 with the adult contemporary ballad "Valentine" with pianist Jim Brickman; it charted
Review: Neil Diamond, "The Very Best of Neil Diamond"
They don’t make ‘em like Neil Diamond any more. Then again, did they ever make ‘em like Neil Diamond? When the self-described solitary man of lean, tough Bang Records rockers like “Cherry, Cherry” and “Kentucky Woman” eventually gave way to the literally glittering superstar of such dramatic fare as “I Am…I Said” and “You Don’t Bring Me Flowers,” it became all too easy to forget the man’s C.V. as a singer, songwriter and producer. Diamond discovered world music some 15 years before his friend
Review: Frank Sinatra, "Best of the Best"
There’s simply no getting around it: Frank Sinatra is the voice of the Great American Songbook. That’s not to discount the dozens of other significant voices that brought life to the House That George, Ira, Irving, Cole, Jerome, Richard and Lorenz Built. (Again, just to name a few.) But Frank Sinatra’s voice, as well as his persona, has become such a deeply ingrained part of the American musical fabric that it’s hard to find new ways to present it. The body of work created by Sinatra at
Hell Yeah: "The Very Best of Neil Diamond" Set For December
Neil Diamond announced himself to the world in 1966 with the lyrics to his song “Solitary Man." He sang with both defiance and resignation, “I’ll be what I am, a solitary man…” At no time, then, was that more evident than Diamond’s induction into the Rock and Roll Hall of Fame in March 2010. His old friend Paul Simon pointed out in his introduction that Diamond had first been eligible for the Rock Hall in 1991 and asked, "What took so long?" Simon then, a bit devilishly, answered his own
Review: Ben Folds, "The Best Imitation of Myself: A Retrospective"
Opening the four-panel digipak that houses Ben Folds' The Best Imitation of Myself: A Retrospective (Epic/Legacy 88697 92683-2), listeners are treated to an unsettling and hilarious sight: the bespectacled, slightly quizzical face of the singer/songwriter, superimposed onto bodies he clearly has no place being attached to. Those off-kilter images are exactly the kind of strange silliness fans have come to expect from Folds over a career that stretches more than 15 years, starting with the
UPDATED: What Is The "Pink Floyd Sampler" Coming From Best Buy?
Browsers of Sunday morning's Best Buy circular might have been surprised to find Pink Floyd Sampler pictured among the long-awaited titles arriving Tuesday as the first salvo in EMI's Why Pink Floyd? reissue series. Though the electronics retailer is also offering both the Discovery (single-disc) and Immersion (4 CD/1 DVD/1 BD) box set editions of Dark Side of the Moon (1973) as well as the Discovery box set collecting fourteen remastered albums from the classic rockers, the Best Buy-exclusive
Ol' Blue Eyes Is Back: Sinatra's "Best of the Best" Joins Together Capitol, Reprise Years
Some have said, "It's Frank's world. We just live in it." And today at The Second Disc, we're in Frank's world. We'll soon bring you a review of Concord's Frank Sinatra - Count Basie: The Complete Studio Recordings, but first comes news of an upcoming anthology that's the first of its kind. Sinatra's Best of the Best arrives on November 1 from Capitol Records and Frank Sinatra Enterprises, and is a compilation with a difference. For the first time, Ol' Blue Eyes' recordings for both Capitol
Sting Strikes Again with New Best-Of
Is the recently-announced Sting box set too comprehensive, too expensive, or not stocked with enough rarities for you? Universal attempts to throw fans something of a bone with a cut-down version of the box, The Best of 25 Years, due for release in October. Admittedly, the single-disc set is a bit of an odd duck itself, omitting anything but eight of the most obvious singles alongside four bonus tracks: a new mix of "Never Coming Home" (presumably one of the newly-mixed tracks featured on the
Review: Tony Bennett, "The Best of the Improv Recordings"
Clive Davis had made his mind up. According to his autobiography, he considered Tony Bennett’s career “in jeopardy” by the late 1960s and felt that “new vitality was needed.” As recently-appointed head of the venerable Columbia Records, Davis brought that new vitality to the label, but at what price? In actuality, Tony Bennett's contributions to the storied label were more vital than ever as the 1960s came to an end. He was carrying the torch for unassailable adult pop with sophisticated
Review: Leon Russell, "The Best of Leon Russell"
There wasn't a dry eye in the house when Leon Russell, upon accepting his induction to the Rock and Roll Hall of Fame, thanked Elton John for rescuing him from "a ditch beside the highway of life." Thanks to the success of The Union, the collaborative album between John and his early idol, Leon Russell's profile has been considerably high of late. It's been so high, in fact, that one member of the Steve Hoffman Music Forums even queried of the community, "Is Leon Russell getting too much
Giving Them The Best That He Got: Warwick, LaBelle, Bailey Featured on Skip Scarborough Anthology
Skip Scarborough (1944-2003) may not have ever gained the name-brand recognition of some of his songwriting peers. But the man born Clarence Alexander Scarborough penned some of the most instantly recognizable classics in the soul music pantheon. Anita Baker's "Giving You the Best That I Got," The Friends of Distinction's "Love or Let Me Be Lonely" and Earth Wind & Fire's "Can't Hide Love" are just three of Scarborough's most memorable compositions. The latter went on to be recorded by
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