Words like “unique” and “singular” are thrown around far too often, but they truly apply to the Red Temple Spirits. The Los Angeles quartet, described in 1989 by one pundit as “enigmatic,” recorded two albums in the waning days of the 1980s, Dancing to Restore an Eclipsed Moon and If Tomorrow I Were Leaving for Lhasa, I Wouldn’t Stay a Minute More... The post-punk group toured in 1990, and even gained airplay on MTV, but before 1992 was out, Red Temple Spirits had gone quietly into the night.
Jerry Lee Lewis, The Ronettes, Del Shannon, Louis Armstrong Feature On "The London American Label 1964"
1964 will forever be remembered on American shores as the year of Beatlemania, when those four moptops from Liverpool led the British Invasion to the top of the pop charts. That tale has been chronicled many times, but one of the most recent releases from U.K.-based label Ace tells the story of the year's American Invasion - via the American records imported to London on the London American label. This latest volume in the long-running series (which now features an entry for each year between
Phyllis Hyman's "Goddess of Love" Is Revisited By SoulMusic Records
Phyllis Hyman sure looked like a Goddess of Love on the cover of her 1983 album of the same name. Now, the striking and statuesque former fashion model’s fourth and final album for Arista Records is back. It's just been reissued by Cherry Red’s SoulMusic imprint in an expanded edition that boasts two more tracks than Reel Music’s 2010 release. In a quest to find Hyman a degree of commercial success commensurate with her great talent, Clive Davis paired her with different producers for each
Review: "Woody Guthrie at 100! Live at the Kennedy Center"
The new CD/DVD set is entitled Woody Guthrie at 100! Live at the Kennedy Center, but in fact, Woody never made it past 55. This document of an altogether lively concert program from a wide assortment of admirers proves, however, that his music has not only lasted ‘til 100, but will likely survive us all. This is a celebration, yes, but a celebration with a conscience. A strong thread of morality and social awareness ran through all of Guthrie’s songs, as he believed music could make a
Reviews: Eddy Arnold, "Complete No. 1 Hits" and David Allan Coe, "Texas Moon"
When 1965’s “Make the World Go Away” entered the Pop Top 10, it was unusual, even for those heady days of pop diversity. The singer, Eddy Arnold, had first signed to RCA Victor in 1943. The Musicians’ Union’s strike prohibited the young vocalist from recording until it was settled in December, 1944, but when Arnold finally entered WSM’s radio studios to record four songs, he was making history. His session was the first for a major label to be held in Nashville, Tennessee. His star was soon
High Adventure: Kritzerland Heads To "The Far Horizons," Uncovers "Secret of the Incas"
There’s even more film soundtrack news coming your way today, thanks to Kritzerland’s latest announcement! The label will release a special two-for-one CD combining the scores to two vintage adventure films starring Charlton Heston: 1955’s Lewis and Clark drama The Far Horizons and 1954’s exotic Secret of the Incas, the latter of which is frequently cited as a direct inspiration for Steven Spielberg’s Raiders of the Lost Ark. This 1,000-unit limited edition is set for release by the first week
Review: Burt Bacharach, "Anyone Who Had a Heart: The Art of the Songwriter" Box Set
Time stands still for Burt Bacharach. Rumer’s 2010 single “Some Lovers,” from Bacharach and Steven Sater’s musical of the same name, is the most recent track on Universal U.K.’s new box set Anyone Who Had a Heart: The Art of the Songwriter. Yet 2010 melts into 1965 like a ray of sunshine on the “cloudy Christmas morning” in the song lyric. Sleigh bells gently underscore wistful flugelhorns as it begins, with Rumer’s dreamy, comforting vocals gracefully gliding over the bittersweet melody.
Where There's a Will: Derek and the Dominos' Bobby Whitlock Joined by Clapton, Harrison, Delaney and Bonnie On Reissued Solo LPs
The story of Bobby Whitlock is one that intersects with rock royalty like George Harrison and Eric Clapton – and now Light in the Attic’s Future Days Recordings imprint is getting ready to tell the story of the Derek and the Dominos pianist-organist. On June 25, Future Days will reissue Whitlock’s two solo albums for ABC-Dunhill, Bobby Whitlock and Raw Velvet (both from 1972), as one 2-CD set entitled Where There’s a Will, There’s a Way: The ABC-Dunhill Recordings. For purists, the label will
Marilyn McCoo and Billy Davis, Jr., P-Funk Offshoot Parlet and More Join Dionne Warwick on Real Gone's July Slate
The July slate for Real Gone Music has been announced, and things are really heating up! We've already filled you in at length about the pair of anthologies coming your way from Dionne Warwick, We Need To Go Back: The Unissued Warner Bros. Masters and The Complete Warner Bros. Singles, two of the most ambitious releases yet from the prolific label. But that's not all. Real Gone is completing their July 30 release schedule with a pair of long-awaited titles from Marilyn McCoo and Billy Davis,
Gene Pitney Is "Looking Through the Eyes of Love" On New RPM Two-Fers
After a long hiatus, Cherry Red's RPM label is continuing its series of reissues dedicated to the late Gene Pitney ("Twenty Four Hours from Tulsa," "Town Without Pity," "The Man Who Shot Liberty Valance"). The singer's long out-of-print albums for Aaron Schroeder's Musicor label were reissued on CD in a series of two-fers by Sequel Records in the late 1990s, but upon their deletion from the catalogue, they began commanding high prices on the second-hand market. Since then, the Pitney
Little Anthony and the Imperials Move to a "New Street"...In Philadelphia!
Paul Simon once said, "Little Anthony Gourdine has one of the purest voices to come out of the New York doo-wop scene. [The Imperials] will be remembered as great musicians from the streets of my hometown." Bob Dylan was also a fan: "The Beatles weren't rock and roll, nor were The Rolling Stones. Rock and roll ended with Little Anthony and the Imperials." But by 1973, the group was ready for a new direction, or a "new street," as it were. The group first worked with then-budding producer
If Everybody Had An Ocean: The Beach Boys' 6-CD Box Set "Made in California" Premieres 60 Previously Unreleased Tracks
On my way to sunny California, on my way to spend another sunny day… The sounds of summer will be in perfect harmony on August 27 when Capitol Records releases the Beach Boys’ long-awaited, retrospective box set Made in California. Word first came last summer of the 50th anniversary box, as the reunited group of Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks were winding down a phenomenally successful world tour. Since then, the Love/Johnston faction of the band has
The Bright Side of Life: Harry Nilsson's "Flash Harry" (Finally!) Comes To CD In Expanded Form
What should have been a new beginning became a rather inauspicious end to a remarkable career. Harry Nilsson's final studio album, 1980's amusingly-titled Flash Harry, was his first on the Mercury label. It followed a decade-plus stint at RCA and signaled a fresh start. But despite its starry array of musicians, and typically solid songwriting, the album produced by Stax guitar legend Steve Cropper with engineer Bruce Robb was withheld from release in North America. Flash Harry only was
Southern Soul Rarities Compiled On Omnivore's "South Side of Soul Street"
One dictionary defines a "minaret" as "a lofty, often slender tower or turret attached to a mosque...from which the muezzin calls the people to prayer." So it's appropriate that the Minaret Records label was a beacon itself, inspiring soulful fervor in those who made the pilgrimage to its platters. Founded in Nashville in the early 1960s, it was purchased in 1966 by Finley Duncan. Three years later, the producer-entrepreneur founded the Playground Recording Studio in Valparaiso, Florida,
What Goes Up: Blood, Sweat & Tears' "Rare, Rarer & Rarest" Tracks Come To CD
What goes up must come down. So sang David Clayton-Thomas in the opening line of his Grammy-winning song "Spinning Wheel," which became a No. 2 Pop/No. 1 AC in 1969 for Blood, Sweat & Tears. And so went the fortunes of the jazz-rock band itself. The band's signature rock-with-horns style was soon eclipsed by that of Chicago (Transit Authority), who shared a producer in James William Guercio. But when BS&T was hot, few bands were hotter. Wounded Bird Records is revisiting the
Don't Walk On By: Dionne Warwick's "Unissued Warner Bros. Masters" Joins "The Complete Warner Bros. Singles" On CD
When Dionne Warwick signed on the dotted line with Warner Bros. Records, the possibilities must have seemed endless. The singer had embraced change, after all. A new decade was in its infancy. She had traded a feisty New York independent (Scepter) for a Burbank giant. She had even added an "e" to her surname on the advice of an astrologer. And although the exact amount wasn't disclosed, Warwick had reportedly signed the biggest deal ever for a female vocalist. What didn't change, at least
Review: A Trio from Townes Van Zandt
Steve Earle once famously wrote, “Townes Van Zandt is the best songwriter in the whole world,” adding for good measure, “and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” Earle later backtracked on his statement, answering in the negative whether he really believed Van Zandt was Dylan’s superior. Van Zandt was also embarrassed by the fulsome praise (“I’ve met Bob Dylan’s bodyguards and if Steve thinks he can stand on Bob Dylan’s coffee table, he’s sadly mistaken!”) but
A Paramount Package: Three Vintage Franz Waxman Scores Premiere On New Release
Long before Andrew Lloyd Webber set Sunset Boulevard to music, Franz Waxman was Norma Desmond’s composer of choice, having created the score to the original Paramount picture. But Sunset wasn’t Waxman’s only Paramount film. Nor was it his only collaboration with legendary director and screenwriter Billy Wilder. Waxman’s scores for the studio are among his most renowned works – think of A Place in the Sun, Come Back, Little Sheba or Rear Window, to name three. The Kritzerland label, already
The Roots of Philadelphia International: BBR Reissues O'Jays, MFSB Classics
Though London, England is some 3,500 miles away from Philadelphia, Pennsylvania in the United States, the spirit of the City of Brotherly Love is alive and well thanks to Cherry Red’s Big Break Records label. Two more remarkable artifacts from Kenneth Gamble and Leon Huff’s Philadelphia International empire have recently arrived from BBR, and though both titles have previously been available on CD, these new reissues are their best representations in the format yet. Fans who only know The
Ramblin' Men: Allman Brothers Band's "Brothers and Sisters" Goes Super Deluxe In June
Though it was The Allman Brothers Band’s fifth album, 1973’s Brothers and Sisters actually marked a rebirth. The tight-knit unit had weathered the tragic deaths of leader Duane Allman and Berry Oakley in 1971 and 1972, respectively. The 1972 double album Eat a Peach would be the last to feature Duane’s inimitable slide guitar, as he died during its recording. And Oakley perished as sessions for Brothers and Sisters were occurring. Yet the band soldiered on, and even flourished. The
Tell All The People: "The Best of Merry Clayton" Shines Spotlight on "Gimme Shelter" Singer
For Merry Clayton, fame was just a shot away. For she was a member of a very exclusive club of well-respected yet all-too-unheralded performers: background singers. Documentarian Morgan Neville’s new film 20 Feet from Stardom chronicles some of the great artists who have excelled in that capacity, including Clayton, Darlene Love, Lisa Fischer, Judith Hill, Claudia Lennear and Táta Vega. Many of music’s greatest background singers also had solo careers, though, and Legacy Recordings and Ode
She's Got The Beat: Belinda Carlisle's Deluxe 2-CD/1-DVD Reissues Due in August (UPDATED WITH TRACK LISTINGS)
The Tabu catalogue isn't the only major acquisition of late for the Demon Music Group. Back in March, Demon - home to labels including Edsel, Harmless and Music Club Deluxe - announced that a deal had been struck for much of the solo catalogue of onetime Go-Go Belinda Carlisle. Ooh, baby, do you know what that's worth? Demon picked up rights to four of Carlisle's studio albums, the rights to which had previously resided with Virgin (part of the former EMI). Demon's agreement covers the
What's It All About: Burt Bacharach Celebrated On PBS, Lost Song Included on "Dionne Warwick Sings Burt Bacharach"
The first voice you’ll hear on My Music: Burt Bacharach’s Best, now airing on PBS stations nationwide, is that of The Maestro himself. “What’s it all about, Alfie?,” he sings in his familiar, quavering tone, finding the fragility in the Hal David lyric that he calls his favorite. Then comes “What the World Needs Now is Love,” sung by its composer with an assist from that International Man of Mystery, Austin Powers (Mike Myers). It’s appropriate that the solo Bacharach introduces this
Review: Southside Johnny and the Asbury Jukes, "Playlist: The Very Best Of"
When Bruce Springsteen gave the green light to officially release his 1973 recording of “The Fever” on 1999’s 18 Tracks, The Boss’ decision was rightfully greeted with acclaim. But many of us Jersey boys were in on a secret: Bruce wrote it, but “The Fever” belonged to Southside Johnny Lyon and his Asbury Jukes. Springsteen’s torrid evocation of a burning blue-collar romance, as produced by “Miami” Steve Van Zandt, was the centerpiece of the band’s 1976 Epic Records debut I Don’t Want to Go
It's a Family Affair: Sly and the Family Stone Want to Take You "Higher!" With New Career-Spanning Box Set
Epic Records and Legacy Recordings want you to have some hot fun in the summertime. On August 27, the labels will release the first-ever career-spanning box set dedicated to Sly and the Family Stone, as previewed on Record Store Day 2013. The box succinctly entitled Higher! wants to take you there. 77 tracks chronicle the period between 1964 and 1977, and 17 of those recordings are previously unissued. Sly Stone, born Sylvester Stewart in 1943, couldn’t hide his prodigious musical talents
- « Previous Page
- 1
- …
- 123
- 124
- 125
- 126
- 127
- …
- 171
- Next Page »