Priscilla: Queen of the Desert. Sister Act. Catch Me If You Can. Today’s Broadway is populated by adaptations of familiar movies; in 1961, such screen-to-stage transfers were rare. When they did occur, the authors usually changed the title of the film to signify that their musical version was, indeed, a new work. (Imagine producers today allowing authors to diverge from a famous property's title!) Such creative freedom resulted in some of the most inspired musicals in stage history, and one such
Marlena Shaw is "Acting Up" Again
Whether recording jazz, pop or funk, the soulful Marlena Shaw has made her mark. The first female vocalist signed to Blue Note Records, Shaw has had an impressive career with tenures not only at the venerable jazz imprint but also Chess' Cadet subsidiary, Columbia, Verve and Concord. Included in her outstanding discography are searing takes on Goffin and King's "Go Away, Little Girl" (as "Go Away, Little Boy"), Ashford and Simpson's "California Soul" and a discofied "Touch Me in the Morning."
Rare Alfred Newman Score to "Counterfeit Traitor" Debuts from Kritzerland
It's not too great an exaggeration to state that without Alfred Newman, we probably wouldn't be discussing film music here at The Second Disc, or anywhere else. In a career spanning 40 years and some 200 films, Newman played an integral, early role in the art of composing original music for cinema. He was rewarded with a whopping 45 Academy Award nominations and nine wins, and even made music the family business. Brothers Lionel and Emil had impressive careers, while sons Thomas and David
The SMiLE Saga: A Happy Ending Promised for Lost Beach Boys Masterwork
The story of The Beach Boys' 1967 SMiLE, often considered the greatest lost album of all time, has long been a story of heroes and villains. On February 3, the band's Al Jardine was a hero when he announced that SMiLE would finally be arriving in record stores everywhere later this year. The Second Disc duly passed this on before Jardine offered a bizarre quasi-retraction, likely at the behest of his record label, on February 14. Mastering engineer Steve Hoffman (who was worked with the Beach
Friday Feature: "The Graduate"
“Just one word…plastics.” With that one word, spoken to the disaffected Benjamin Braddock (Dustin Hoffman) by an associate of his father’s, the audience viewing 1967’s film The Graduate, could both laugh and sneer along with Benjamin. After all, “plastics” stood for all that was superficial and fake in society. Mike Nichols, directing only his second feature film after a successful Broadway career, was anything but subtle as he masterfully threaded the film’s themes throughout every aspect of
More Imperial-Era Hollies Reissues Headed Your Way
It's Hollies-mania all over again! Back on February 15, we tipped you to a vinyl box set due April 19 collecting some of the Manchester quintet's toughest-to-find tracks. But it gets better. On the same date that Sundazed releases the Lost Recordings and Beat Rarities box, the label will also continue its vinyl LP reissue series for the band with brand-new releases of Beat Group! and Bus Stop. These 1966 albums for Imperial Records were, respectively, The Hollies' third and fourth American
Review: Simon and Garfunkel, "Bridge Over Troubled Water: 40th Anniversary Edition"
"What's the point of [making] this album?," an impossibly youthful Paul Simon asks in the 1969 television special Songs of America. "The world is crumbling." If Simon didn't know then why he was "just" recording an album despite all of the tumult around him, he almost certainly knows now. After all, he and partner Art Garfunkel have seen Bridge Over Troubled Water make it to 40 years (actually, 41!), and have even participated in the celebration. The duo have also seen the accompanying album and
Review: Neil Diamond, "The Bang Years 1966-1968"
When it comes to Neil Diamond, I'm a believer. There's not a trace of doubt in my mind that Diamond burst onto the scene at the right time - not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on The
Nektar's "A Tab in the Ocean" Released in Expanded Edition
"I wonder what would happen if a giant tab of acid was dropped into the sea?" asked a member of the progressive rock band Nektar some forty years ago, recalled Roye Albrighton, Nektar's guitarist and vocalist. Albrighton and his mates parlayed their curiosity into the group's acclaimed second album, appropriately titled A Tab in the Ocean. Philadelphia's ItsAboutMusic.com label has just reissued that recording in a deluxe two-CD set also containing a bonus "lost album," In the Beginning: The
Ike and Tina Turner! Phil Spector! "River Deep" Returns in April
Producer Phil Spector should have been sitting on top of the world in 1966, just one year after The Righteous Brothers continued their wave of success with “Just Once in My Life,” “Ebb Tide” and of course, “Unchained Melody.” He had recently signed Ike and Tina Turner to Philles, but the male half of that duo was of little consequence to him. In Tina Turner’s force-of-nature voice, Spector saw the latest and arguably most powerful vehicle for his increasingly majestic musical statements. When he
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I'll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon's Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, "Just One Look," and DeShannon offering up the likes of "When You Walk in the Room" and "Put a Little Love in Your Heart." Both had
Masterworks Jazz Continues "Cool Revolution" with a Quartet from CTI
Chances are, if you think of a jazz artist, it wouldn't take many degrees of separation to reach Creed Taylor. The esteemed producer began his career at Bethlehem Records overseeing a roster including Herbie Mann, Charles Mingus, Carmen McRae, J.J. Johnson and Kai Winding. In 1956, he departed Bethlehem for ABC-Paramount, where in 1960 he launched the Impulse! label with artists like Johnson, Winding, Ray Charles and John Coltrane. It was at Impulse! that Taylor came into his own, emphasizing
Barry Manilow Revisits His Classic "Duets" on New Collection
While Barry Manilow's fans patiently wait for 15 Minutes, his first album of all original material since 2001's Here at the Mayflower, Arista and Legacy will offer a chance to look back at some past moments in Manilow's long career. Duets compiles fifteen teamings, some more difficult to find than others, spanning the period between 1980 ("The Last Duet" with Lily Tomlin, from Barry) and 2008 ("Islands in the Stream" with Reba McEntire, from The Greatest Songs of the Eighties.) This 15-track
Back to the Grid: "TRON: Legacy" Remixes Coming in April
It's not often here at The Second Disc that we get to report on a reissue project devoted to a release that's only three months old. But that's just the case of Daft Punk's acclaimed score to Tron: Legacy. The novice film composers deftly paid homage to Wendy Carlos' score to the original TRON, judiciously incorporating it into their work while carving out their own territory with a mix of ambient sounds, techno-style synthpop and traditional orchestral motifs. While the Academy Awards
Pino Donaggio's Lost "Ordeal" Released at Last
Kritzerland’s restoration of Pino Donaggio’s complete score to Carrie was one of the most lauded film score releases of 2010. Today, the label announced a title that could be considered a follow-up: the premiere of Donaggio’s shelved score to the 1985 film Ordeal by Innocence. This Cannon Films adaptation of Agatha Christie’s 1958 novel was directed by Desmond Davis of 1981’s Clash of the Titans, and featured a starry ensemble including Christopher Plummer, Faye Dunaway and Ian McShane. The
Rush Celebrates 30 Years of "Moving Pictures" With Surround Mixes and More
For fans of music in surround, every new release can be a cause for celebration. Surround music hasn't proliferated for years, but a small if steady flow keeps the torch burning over multiple formats. Last year saw the surprise launch of Rhino Handmade's Quadradisc series with classic quadraphonic titles arriving on DVD from Aretha Franklin and Chicago, while Tom Petty and UMe offered Damn the Torpedoes as a 5.1 Blu-Ray. King Crimson continued its 40th Anniversary Series on Inner Knot with a
The Man Who Sang "Liberty Valance": RPM Continues Gene Pitney Reissues
With one of the most resonant and recognizable voices in rock and roll, Gene Pitney (1940-2006) was the rare American talent to be able to withstand the British Invasion and continue to thrive. He collaborated with Phil Spector and The Rolling Stones, wrote hit songs for Roy Orbison, Bobby Vee, Ricky Nelson and the Crystals, and brought to life the songs of others, too. Among the recipients of the Pitney treatment were Burt Bacharach and Hal David, Carole King and Gerry Goffin, Barry Mann and
Angel Air Revisits a Series of Tommy James Classics
Shondells frontman Tommy James has been fairly well-represented on CD, with reissues from both Collectors' Choice and Collectables compiling most of his classic oeuvre. Now, the U.K.'s Angel Air label takes its turn filling in more gaps in James' catalogue with a trio of reissues. First up are a pair of two-fers, In Touch (1976) with Midnight Rider (1977), and Three Times in Love (1980) with Hi-Fi (1990), followed by an expanded edition of A Night in...Big City: An Audio Movie (1995). In
Do You Love Them? The Contours' Lost Motown Classics Arrive on CD
Early Motown act The Contours received a new lease on life back in 1988 when Dirty Dancing (and its More Dirty Dancing soundtrack) introduced a new generation to their 1962 hit single, “Do You Love Me (Now That I Can Dance).” The song made a return appearance on the Billboard chart more than 25 years after its original appearance, and the group even performed live as part of the Dirty Dancing Tour. Prior to that, the Contours hadn’t seen many glory days since 1967. That was when the group
Michael Small's "Audrey Rose" Arrives on CD
Despite his acclaimed scores to films such as Klute, The Parallax View, Marathon Man and The China Syndrome, Michael Small (1939-2003) remains one of the most underrated names in the film score pantheon. Too few a number of Small’s works have been made available on CD, yet his singular voice enhanced a number of great films (and even some bad ones - Ed.). This is especially true during his 1970s peak in which he collaborated with directors as celebrated as Alan J. Pakula, Bryan Forbes, Sidney
Now Sounds Readies "The Collage" for Expanded CD Debut
When The Collage signed with Mercury Records' Smash division in 1968 (also the home of The Left Banke), the group was on the verge of a breakthrough. Consisting of Jerry Careaga, Ron Joelson, Donna Byrd and Jodie Cline, the two-man, two-woman Collage was in the mold of The Mamas and the Papas, but with two ace songwriters instead of one; Careaga and Joelson worked as a team. Their songs - described by Careaga as "beat-poetry lyrics to show-tune-style melodies" - grabbed the attention of industry
Review: The Crystals, The Ronettes and Darlene Love: "The Very Best Of"
If Phil Spector didn’t exist, someone would have had to invent him. Spector scored his first chart-topper as writer, artist and arranger in 1958 with “To Know Him is to Love Him” performed his by group, the Teddy Bears. But a 1960 apprenticeship with famed songwriters Jerry Leiber and Mike Stoller convinced the ambitious young man that his future was behind the scenes as a producer. (His 1960 stint with Leiber and Stoller also yielded “Spanish Harlem,” which Spector co-wrote with Leiber.) With
Presidents' Day Special Feature: Stan Freberg, "The United States of America"
Here's one for Watson: "This actor, comedian, voice artist, singer, songwriter and advertising guru coined the name 'Grammy' for the annual awards bestowed by the National Academy of Recording Arts and Sciences (NARAS)." The correct answer? "Who is Stan Freberg?" To list Freberg's credits in the fields of cinema, radio, television, animation and music would take up the entirety of this column, but readers unfamiliar with those accomplishments are advised to stop reading now, order a copy of
D.I.Y. Dylan: Bob's "Archive" Box Coming Soon
Maybe Bob Dylan really was a hobo. Despite his solid middle-class upbringing, it wasn't uncommon for fans to believe that Dylan really did ride the rails slinging a bag on a stick. Dylan, for a time, even encouraged this mythology of his own making. But if he wasn't a hobo in the literal sense, he undoubtedly was one, musically, if one defines a hobo as "one who wanders from place to place without a permanent home." Since his self-titled Columbia debut in 1962, Dylan has travelled the path from
Big Break Delivers Big Slate of Soul Classics in March
Our friends at the U.K.-based Big Break label haven't given much thought lately to a break! A recently-announced slate of March releases bring the label's total catalogue to nearly 50 titles since its inception in 2009, and covers a wide and diverse swath of soulful artists. Some are returning to the label (The Pointer Sisters, Deniece Williams, Billy Ocean) and others are making their label debuts (Dennis Edwards, Ashford and Simpson, The Originals). Deniece Williams is recipient of her third
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