What's it all about, Cilla? Though "Alfie" and "Anyone Who Had a Heart" are very much the property of Ms. Dionne Warwick in the United States, Liverpool's Cilla Black can fairly stake claim to them across the pond. Born Priscilla Maria Veronica White, the protégé of Brian Epstein and close Beatle pal scored a string of beloved hit singles at the height of Swinging London, though her profile has long remained under the radar in America. Well, not if The Second Disc has anything to say about
Love So Fine: Nick DeCaro's "Works" Features James Taylor, B.J. Thomas, Andy Williams, More
Though the A&M stands for (Herb) Alpert and (Jerry) Moss, A&M Records has meant a great many things to a great many people since its founding in 1962. Those who came of age in the 1980s may think of the famous logo adorning records by Sting, Janet Jackson or Bryan Adams. In the 1970s, the label was home to The Carpenters, Cat Stevens and Joe Cocker. In the 1960s, A&M was not only a label but a “sound.” That sound was a certain, beguiling style of sophisticated adult soft-pop
Review: Tom Northcott, "Sunny Goodge Street: The Warner Bros. Recordings"
Extra! Extra! Lost Folk Singer Found! His name is Tom Northcott, and had things turned out a little differently, he might be remembered in the same breath as Joni Mitchell or Gordon Lightfoot, fellow Canadian troubadours. After founding the Tom Northcott Trio, he headed for California during perhaps the most fertile period ever for creative, boundary-breaking musical exploration, the mid-1960s. Northcott opened for The Who, The Doors and Jefferson Airplane, and was signed to Warner Bros.
Guitars A Go-Go: "Fender: The Golden Age" and Jerry Cole's "Psychedelic Guitars" Celebrated by Ace
If you've got guitars on the mind, look no further than a pair of new releases from those compilation experts at the Ace label! Fender: The Golden Age 1950-1970 (Ace CDCHD 1315) is a new 28-track anthology that manages to be both comprehensive and the tip of the iceberg, where the famous guitar is concerned! A new companion to the 2010 book of almost the same name (Fender: The Golden Age 1946-1970 by Martin Kelly), this set offers a rare chance to appreciate both the talent on the record label
In Memoriam: Hey, Hey, It's Davy Jones!
UPDATE 2/29/12: Today at The Second Disc, we join music fans all over the world in mourning the loss of Davy Jones, who died this morning at the age of 66. The worlds of music, stage and screen all lost an icon with the passing of the actor, singer, comedian and beloved Monkee. Davy brought a little of the British Invasion to the California band, as well as lot of talent, sweetness, heart and chutzpah. New York DJ Cousin Brucie Morrow took the airwaves on Sirius/XM satellite radio early
Goin' For High Coin: Harpers Bizarre's "Anything Goes" Returns in Expanded Mono Edition
In olden days, a glimpse of stocking was looked on as something shocking! Now heaven knows, anything goes...Good authors, too, who once knew better words now only use four-letter words writing prose! Anything goes! When Cole Porter wrote "Anything Goes" in 1934, could he have had any idea that his commentary would prove just as relevant more than thirty years later, and indeed, even today? In 1967, three years after the esteemed songsmith's passing, the members of Harpers Bizarre unleashed
Aces High! "The London American Label: 1957," "Mod Jazz Forever" and "Smash Boom Bang: Feldman-Goldstein-Gotteher" Available Now
Smash! Boom! Bang! The ace compilation experts at, well, Ace Records are offering up plenty of Smash, Boom and Bang (both in impact and in label name!) for your buck with their diverse slate of February releases. You'll find top-drawer pop, rock and soul for connoisseurs and beginners alike among the label's latest. Perhaps the most unexpected is the new entry in the label's long-running Songwriters and Producers series. Smash Boom Bang! The Songs and Productions of
Back Tracks: Whitney Houston
Music was in both the bloodline and the spirit of Whitney Elizabeth Houston (1963-2012). The native of Newark, New Jersey called Cissy Houston of The Sweet Inspirations her mom, while Dionne Warwick and Dee Dee Warwick were her beloved cousins. Aretha Franklin was a close family friend and honorary aunt. Following in her mother's footsteps, she began performing at Newark's New Hope Baptist Church, singing in the gospel choir as a featured soloist, and began to make inroads in the music
Anyone Who Had a Heart: Shelby Lynne's Dusty Springfield Tribute, Reissued
When I Am Shelby Lynne appeared on the Mercury label in 2000, its eponymous singer finally hit on an approach that synthesized her varied influences (country, soul, R&B, rock-and-roll) into a relevant and contemporary whole. Lynne picked up the Best New Artist Grammy, despite having released her first album in 1989, and the album’s title indicated that, finally, the artist knew who she was, and was ready to share her music with the world. Fast-forward eight years, and a number of albums
When The Lovelight Starts Shining: Lost Brit Girl Pop of Beryl Marsden Returns
If you peruse enough collections of Merseybeat, chances are you'll be familiar with the name of Beryl Marsden (no relation to Gerry, of Pacemakers fame). A product of the same Liverpool club scene that birthed the career of Beatle pal Cilla Black, Marsden played a number of recognizable Fab haunts, including the Cavern Club and the Star Club, and even supported the Beatles on their 1964 U.K. tour. But Marsden had never received a career-spanning anthology...until now! Changes: The Story of
Chicago Reissues Return From Friday Music, "Hot Streets" Kicks Off Campaign
On 1971’s Chicago III, one of the band's passionate anthems went, “I just want to be free…” But it took until 1978 for the band to be truly free, and that year’s Hot Streets was an album of firsts. The freedom largely came as a result of the group having severed its ties with longtime producer/manager James William Guercio; hence, Hot Streets was Chicago’s first album in many years not recorded at Guercio’s famed Caribou Ranch. It was also the first to lack a number in its title and first to
Reissue Theory: Whitney Houston, "Whitney"
We remember Whitney Houston (1963-2012) and her timeless legacy of song. We're sharing this feature in her memory, and will return with a tribute to this musical legend, gone too soon. Welcome to another installment of Reissue Theory, where we focus on notable album and the reissues they could someday see. Today's entry: a 25th anniversary spotlight on one of the best dance-pop albums of any era, and a tribute to a powerhouse R&B voice. In a word: Whitney. Around this time in 2010,
Short Takes: "Meet Glen Campbell" and "Matter of Time" Reissued, A Rare Earth Curio and More From Impulse!
The legendary Glen Campbell has seen a number of his classic albums reissued this year by labels including BGO, Real Gone Music and New Haven. Our friends at Rockbeat Records have lined up the next Campbell release, revisiting his 1985 LP for the Atlantic label, It’s Just a Matter of Time. Produced by Harold Shedd, the album found Campbell revisiting some of his past triumphs. Longtime collaborator and friend Jimmy Webb contributed three songs: the oft-covered “Do What You Gotta Do,”
A Grande Cup of Burt: Starbucks Brews "Music By Bacharach"
If you see me walking down the street, and I start to cry…or smile…or laugh...there’s a good chance I might be listening to a song by Burt Bacharach. Since beginning his songwriting career with 1952’s instrumental “Once in a Blue Moon” as recorded by Nat King Cole, Bacharach has provided the soundtrack to many of our lives, often in tandem with lyricist Hal David. (Their first collaborations date to 1956, including The Harry Carter Singers’ “Tell the Truth and Shame the Devil,” and Sherry
Review: The Monkees, "Instant Replay: Deluxe Edition"
When The Monkees' Instant Replay was released in February 1969, less than three years had passed since the band's vinyl debut in October 1966. But the pop world of 1966 might have been a lifetime ago. Five days before Instant Replay's February 15 release, The Beach Boys unveiled the album 20/20, on which America's band surreptitiously recorded a song by Charles Manson. Two days after, The Temptations skyrocketed to Cloud Nine, meeting psychedelia head-on. By the year's end, the dream of
Andy Gibb's Greatest Hits Reprised, and Flashback with Iron Butterfly
Two long out-of-print greatest hits collections are back in print today thanks to the fine folks at Rhino Records. Iron Butterfly’s Evolution: The Best of Iron Butterfly arrived on the Atco label in 1971 and brought together 11 tracks from the hard rock pioneers’ first four albums. Andy Gibb’s 1991 Greatest Hits, originally on the Polydor label, differed from the 1980 RSO Records hits compilation, and offered 12 prime pop cuts from the youngest of the Brothers Gibb. Although Rhino’s Light
Edsel January Preview: Rundgren, Chapin, Gosdin, Manhattan Transfer, Jo Jo Gunne Kick Off 2012
What kind of year will 2012 be? If the first batch of releases, slated for January 30 release, from the Edsel label is any indication, there's plenty of rare and well-done music on the way! A three albums-on-two-CDs package collects the entirety of Todd Rundgren's Warner Bros. Records period. A Cappella/Nearly Human/2nd Wind continues Edsel's definitive series which brings Rundgren's solo and Utopia output on both Bearsville and Warner Bros. under one umbrella. The studio wizard's decision
Review: Elvis Presley, "Elvis Country: Legacy Edition"
The title of Elvis Presley's 1969 double album said it all: From Memphis to Vegas, or if you turned the jacket over, From Vegas to Memphis. Both sides of the singer were on display both on the album and in its title: the superstar showman who had triumphed at Las Vegas' International Hotel and the onetime Sun Records prodigy who'd periodically returned to his R&B roots. Though no studio album was released in 1970, the singer returned in January 1971 with Elvis Country: I'm 10,000 Years Old,
UPDATE 12/15: Amazing Grace: Glen Campbell's "Jesus and Me" Anthology Reissued and Expanded, Joined by "Home for the Holidays"
In a career spanning nearly fifty years, there's little musical ground that Glen Campbell hasn't covered. He's explored bluegrass, country and pop, played on many of the most famous records of all time as a session guitarist and "Wrecking Crew" member, and even served a brief stint as a Beach Boy. A steady stream of reissues has reminded listeners of Campbell's mightiest accomplishments, and despite the admission of an Alzheimer's diagnosis, the singer recently recorded an acclaimed new album
Come to the Sunshine: Now Sounds Expands, Remasters Harpers Bizarre's "Feelin' Groovy"
Leon Russell might have been reluctant to return to his pop music roots when producer Lenny Waronker invited him to sit in the arranger's chair for Harpers Bizarre's 1967 debut album. But in retrospect, a Master of Time and Space must have been involved in any LP that listed among its credits Randy Newman, Van Dyke Parks, Paul Simon, Richard Rodgers and Sergei Prokofiev! The California quintet's Feelin' Groovy long-player is still one of the boldest, most imaginative and most fun debut albums
Review: The Beach Boys, "The Smile Sessions" Part Three: It's In Great Shape
Welcome to the third and final part of our review series celebrating the release of The Beach Boys’ The SMiLE Sessions. In Part 1, we revisited the history of the album, and in Part 2, we examined the music and lyrics of Brian Wilson and Van Dyke Parks that created the legend. In today’s concluding chapter, we explore "the sessions" of The SMiLE Sessions and compare the various releases! What’s the biggest surprise of The SMiLE Sessions? It’s the sound of five young men optimistically
Review: The Beach Boys, "The Smile Sessions" Part Two: Surf's Up, At Last
Today sees the first release, after 47 years, of The Beach Boys’ SMiLE. The Second Disc celebrates this event with a three-part review series dedicated to what was once the greatest lost album of all time. In Part 1, we looked back at the story of SMiLE. In today’s Part 2, we explore the most legendary aspect of the album: the music itself, created by Brian Wilson and Van Dyke Parks, as recorded by The Beach Boys. The SMiLE Shop is finally open for business! It’s only taken some 44
Review: The Beach Boys, "The Smile Sessions" Part One: What's Past is Prologue
Tomorrow, November 1, marks the release of The Beach Boys’ SMiLE, the most legendary lost album of all time. In recognition of this landmark, The Second Disc is launching a three-part series looking at the SMiLE mythos, including a review of the various editions of The SMiLE Sessions. Before we begin to explore these collections, however, we’d like to offer a bit of perspective and back story on SMiLE: what was, what is, and what might have been. Welcome to Part One: What’s Past is
Gilbert O'Sullivan "Himself" Coming Soon, Naturally
In a little while from now, if I'm not feeling any less sour, I promise myself to treat myself...and listen to a Gilbert O'Sullivan record. The quirky Irish singer/songwriter topped the charts in 1972 with "Alone Again, Naturally," proclaimed by American Top 40 as the fifth most popular song of the entire decade. But it's also one of the most unusual. As the song begins, the narrator is left at the altar and is contemplating "climbing to the top" of a "nearby tower" to throw himself off. He
Pink Floyd, Beatles, Nirvana, Doors Lead Off Record Store Day Exclusives On "Black Friday"
For those of us who still savor the experience of shopping in a physical environment, Record Store Day has become a yearly tradition. It’s sometimes frustrating and sometimes exciting, but few could argue with an event that spotlights the hard-working independent music retailers out there who believe that brick-and-mortar retail can still thrive in the iTunes era. (Amen to that!) A more recent offshoot of Record Store Day has been the mini-event held each Black Friday, or the day after