On the opening track of Joanie Sommers' 1966 Columbia LP Come Alive!, the velvet-voiced singer seductively taunted, "You better love me while you may! Tomorrow I may fly away..." True, the Hugh Martin/Timothy Gray tune was originally sung by the late Elvira, a ghost haunting her husband in the musical High Spirits. But it could just as easily have applied to Sommers. Following a string of hit albums and singles for Warner Bros. Records, her home since 1960, the winsome "Pepsi Girl" and
We need to go back to the songs we used to sing... - Nickolas Ashford and Valarie Simpson, “We Need to Go Back” What’s remarkable about the 19 outtakes on Dionne Warwick’s We Need to Go Back: The Unissued Warner Bros. Masters (Real Gone Music RGM-0170) is that they’re every bit as good as – and in many cases, superior to - the music actually released during Warwick’s stormy five-year stay at the label. Every one of the soulful stylist’s Warner albums is represented with outtakes save 1972’s
Dionne Warwick’s 1972-1977 tenure at Warner Bros. Records has long been a subject of much confusion. Why couldn’t the Burbank giant yield any hit records with the superstar artist after signing her to a record-breaking deal? Sure, the “triangle marriage” of Warwick, Burt Bacharach and Hal David was breaking up, but Warner paired her with some of the most famed names in soul music: Holland-Dozier-Holland, Jerry Ragovoy, and Thom Bell among them. Bell scored a hit for Warwick with “Then Came
For the inaugural release of his new Cherry Red imprint Croydon Municipal, Saint Etienne’s Bob Stanley has curated a collection of Songs for a Central Park Picnic. Songwriter/producer Stanley’s label is an extension of his Croydon Municipal blog, in which he holds forth on subjects as diverse as Barbra Streisand and Barry Gibb’s Guilty, the evolution of Britpop, and the fortunes of HMV. Like Stanley’s blog, his new CD compilation reflects his eclectic musical passions. Saint Etienne Presents
UPDATE 8/6/13: WEA Japan's deluxe mini-LP editions of Dionne Warwick's Scepter and Warner catalogue have finally arrived, but many purchasers have been surprised to find numerous alterations in the albums' bonus material. Originally-listed bonus tracks have been added, dropped, and reshuffled between albums. By the numbers, there are 5 more bonus tracks than originally listed, but some songs are absent with others taking their place. Below, in BOLD, we'll let you know exactly what you'll
Time stands still for Burt Bacharach. Rumer’s 2010 single “Some Lovers,” from Bacharach and Steven Sater’s musical of the same name, is the most recent track on Universal U.K.’s new box set Anyone Who Had a Heart: The Art of the Songwriter. Yet 2010 melts into 1965 like a ray of sunshine on the “cloudy Christmas morning” in the song lyric. Sleigh bells gently underscore wistful flugelhorns as it begins, with Rumer’s dreamy, comforting vocals gracefully gliding over the bittersweet melody.
Paul McCartney and Wings, Rockshow (Eagle Rock) Macca's newly-restored live show may not be in the Wings Over America box, but that means you can buy it for that much less now. (DVD: Amazon U.S. / Amazon U.K.; BD: Amazon U.S. / Amazon U.K.) ZZ Top, The Complete Studio Albums 1970-1990 (Warner Bros./Rhino) So not only are you getting all of ZZ Top's London/Warner-era albums in one convenient box, but you're getting a fair amount of them in their original mixes for the first time ever on CD.
When Dionne Warwick signed on the dotted line with Warner Bros. Records, the possibilities must have seemed endless. The singer had embraced change, after all. A new decade was in its infancy. She had traded a feisty New York independent (Scepter) for a Burbank giant. She had even added an "e" to her surname on the advice of an astrologer. And although the exact amount wasn't disclosed, Warwick had reportedly signed the biggest deal ever for a female vocalist. What didn't change, at least
The first voice you’ll hear on My Music: Burt Bacharach’s Best, now airing on PBS stations nationwide, is that of The Maestro himself. “What’s it all about, Alfie?,” he sings in his familiar, quavering tone, finding the fragility in the Hal David lyric that he calls his favorite. Then comes “What the World Needs Now is Love,” sung by its composer with an assist from that International Man of Mystery, Austin Powers (Mike Myers). It’s appropriate that the solo Bacharach introduces this
Wings, Wings Over America: The Paul McCartney Archive Collection (MPL/Hear Music/Concord) Paul McCartney's first great U.S. tour was chronicled brilliantly on this 1977 live album, and it's been greatly expanded herein for McCartney's ongoing reissue campaign. 2CD: Amazon U.S. / Amazon U.K. 3LP: Amazon U.S. / Amazon U.K. 3CD (Best Buy exclusive) 4CD/1DVD box: Amazon U.S. / Amazon U.K. Tony Bennett & Dave Brubeck,
Burt Bacharach has been speaking through his music for the past 60+ years, since his very first recorded composition,“Once in a Blue Moon,“ appeared on Nat “King“ Cole’s Penthouse Serenade in 1952. But today, Bacharach is speaking in his own voice with the publication of his first-ever memoir, Anyone Who Had a Heart: My Life and Music. Co-written by Robert Greenfield (Ahmet Ertegun biography The Last Sultan), the book has been described by Kirkus Reviews as “illuminating and gritty“ while
TABU Reborn, Wave 3: The S.O.S. Band, S.O.S. / Cherrelle, High Priority / Alexander O'Neal, Hearsay / Kathy Mathis, Katt Walk (Tabu/Edsel) The latest wave of Tabu reissues available from the U.K.: all have bonus tracks, with Cherrelle and Alexander O'Neal's sets presented as two-disc packages. Amazon U.K. links are above; here are U.S. links for The S.O.S. Band, Cherrelle, Alexander O'Neal and Kathy Mathis. Burt Bacharach, Anyone Who Had a Heart: My Life and Music (Harper) One of the
Today’s Short Takes looks at a variety of upcoming releases with one thing in common: great vocalists in the tradition of the Great American Songbook! First up, let's take a look at an album of new recordings from a favorite reissue label. One genre has never been enough to contain the musical restlessness of Willie Nelson. The country legend and honky-tonk hero created his own standards with his early songs such as “Crazy” and “Funny How Time Slips Away” before paying tribute to the Great
Sexual liberation only goes so far… So went the tagline of director Armenia Balducci’s 1979 film Amo non amo. When the Italian drama starring Jacqueline Bisset, Maximilian Schell and Terence Stamp was slated for U.S. release, though, the decision was made to replace the score by Italian prog/symphonic “horror rock” band Goblin with a new, more accessible soundtrack. Burt Bacharach was tapped, and the Oscar-winning composer went far in lending an American flavor to the film, retitled for the
Carole Bayer Sager knew "that's what friends are for" long before she wrote the song of the same name. The former Carole Bayer was already a hitmaking lyricist before graduating high school, thanks to the Mindbenders' No. 2 hit "A Groovy Kind of Love." The song was written by Bayer and Toni Wine before both women hit the ripe old age of 18. Following more hit tunes with the likes of the Monkees and Neil Sedaka, and even a Broadway musical (1970's Georgy, with music by George Fischoff), she
Were there a competition to crown Most Striking Album Cover of 2012, Dionne Warwick might win it hands-down for the image adorning Now, the singer's new album due on October 30 internationally and November 6 in North America. Now is a celebration of Warwick's 50 years in music, looking back on a solo career that began in 1962 with Burt Bacharach and Hal David's "Don't Make Me Over." That song soared to No. 21 Pop/No. 5 R&B, setting Warwick on a course that would see her place more than 50
What's it all about? For Hal David, it was about dedication to his craft, a tireless commitment to songwriters' rights and a desire to bring the world a message of love, sweet love - a sentiment that's never gone out of fashion. The Oscar, Grammy and Gershwin Prize-winning lyricist and former president of performance rights organization ASCAP passed away on September 1. He left behind a world made immeasurably richer by his gift of song. Hal David's turns of phrase in songs like "Raindrops
Although Burt Bacharach had been composing songs at least since 1952, when he kicked off a long career with the instrumental “Once in a Blue Moon” for Nat “King” Cole, the Burt Bacharach “sound” didn’t truly crystallize until the early 1960s. Prior to his reshaping of the sound of adult R&B, Bacharach teamed with a variety of lyricists to craft songs in virtually every genre imaginable: rock-and-roll, rockabilly, country, pop balladry, jazz, even the novelty song. Naturally, the earliest
Today, London’s Dominion Theatre is home to We Will Rock You, a tongue-in-cheek “jukebox musical” featuring the music of Queen. That show is currently celebrating its 10th year at the Dominion, but even before the “Bohemian Rhapsody” chaps came to town, the Dominion was no stranger to mega-musicals from rock stars. In 1986, Dave Clark of the Dave Clark Five put his name above the title of a lavish spectacle called Time. Clark collaborated on the musical’s book and lyrics with David Soames;
Great catalogue music often arrives in the unlikeliest of places. Universal Music Classics and Jazz’s German division has created the budget Jazz Club label, celebrating artists from the various labels under the Universal umbrella. And though its titles may not be available at your local shop, they’re well worth seeking out, offering plenty of material not available elsewhere. Two of the most recent Jazz Club releases are of a particularly rare vintage. Wir Lieben Bacharach! collects 18
What's it all about, Cilla? Though "Alfie" and "Anyone Who Had a Heart" are very much the property of Ms. Dionne Warwick in the United States, Liverpool's Cilla Black can fairly stake claim to them across the pond. Born Priscilla Maria Veronica White, the protégé of Brian Epstein and close Beatle pal scored a string of beloved hit singles at the height of Swinging London, though her profile has long remained under the radar in America. Well, not if The Second Disc has anything to say about
Kritzerland is reaching into the vaults of Los Angeles’ S.T.A.G.E. charitable organization for three star-filled releases celebrating composers who need no introduction: Burt Bacharach, Stephen Sondheim and Andrew Lloyd Webber. These live concert recordings feature renowned artists from the worlds of pop (Melissa Manchester, Stephen Bishop) and jazz (Dave Koz, Ann Hampton Callaway) plus stars from stage, screen and television (Tyne Daly, Felicity Huffman, Len Cariou, Charlotte Rae, Donna
Seven James Bonds at Casino Royale/They came to save the world and win the gal at Casino Royale! Six of them went to a heavenly spot, the seventh one is going to a place where it’s terribly hot… Hal David’s lyric captures just a small fraction of the insanity of Charles K. Feldman’s 1967 Casino Royale, the big-budget comic extravaganza that was “too much…for one James Bond!” And so, David Niven as James Bond was joined by 007s of all shapes and sizes (and genders!), and even by his nephew,
If you see me walking down the street, and I start to cry…or smile…or laugh...there’s a good chance I might be listening to a song by Burt Bacharach. Since beginning his songwriting career with 1952’s instrumental “Once in a Blue Moon” as recorded by Nat King Cole, Bacharach has provided the soundtrack to many of our lives, often in tandem with lyricist Hal David. (Their first collaborations date to 1956, including The Harry Carter Singers’ “Tell the Truth and Shame the Devil,” and Sherry
On March 25, 2012, Aretha Franklin will turn 70 years old. That hardly means she's ready to slow down, however. 2011 found the Queen of Soul looking trim and sounding vibrant as she returned to the concert stage and released a new studio album. Surely her landmark birthday will be celebrated with countless airings of her 1960s golden hits like "Respect," "Natural Woman" and "Chain of Fools." But Legacy Recordings and Arista Records are seeing to it that a latter-day hitmaking period for the