TABU Reborn, Wave 3: The S.O.S. Band, S.O.S. / Cherrelle, High Priority / Alexander O'Neal, Hearsay / Kathy Mathis, Katt Walk (Tabu/Edsel) The latest wave of Tabu reissues available from the U.K.: all have bonus tracks, with Cherrelle and Alexander O'Neal's sets presented as two-disc packages. Amazon U.K. links are above; here are U.S. links for The S.O.S. Band, Cherrelle, Alexander O'Neal and Kathy Mathis. Burt Bacharach, Anyone Who Had a Heart: My Life and Music (Harper) One of the
Today’s Short Takes looks at a variety of upcoming releases with one thing in common: great vocalists in the tradition of the Great American Songbook! First up, let's take a look at an album of new recordings from a favorite reissue label. One genre has never been enough to contain the musical restlessness of Willie Nelson. The country legend and honky-tonk hero created his own standards with his early songs such as “Crazy” and “Funny How Time Slips Away” before paying tribute to the Great
Sexual liberation only goes so far… So went the tagline of director Armenia Balducci’s 1979 film Amo non amo. When the Italian drama starring Jacqueline Bisset, Maximilian Schell and Terence Stamp was slated for U.S. release, though, the decision was made to replace the score by Italian prog/symphonic “horror rock” band Goblin with a new, more accessible soundtrack. Burt Bacharach was tapped, and the Oscar-winning composer went far in lending an American flavor to the film, retitled for the
Carole Bayer Sager knew "that's what friends are for" long before she wrote the song of the same name. The former Carole Bayer was already a hitmaking lyricist before graduating high school, thanks to the Mindbenders' No. 2 hit "A Groovy Kind of Love." The song was written by Bayer and Toni Wine before both women hit the ripe old age of 18. Following more hit tunes with the likes of the Monkees and Neil Sedaka, and even a Broadway musical (1970's Georgy, with music by George Fischoff), she
Were there a competition to crown Most Striking Album Cover of 2012, Dionne Warwick might win it hands-down for the image adorning Now, the singer's new album due on October 30 internationally and November 6 in North America. Now is a celebration of Warwick's 50 years in music, looking back on a solo career that began in 1962 with Burt Bacharach and Hal David's "Don't Make Me Over." That song soared to No. 21 Pop/No. 5 R&B, setting Warwick on a course that would see her place more than 50
What's it all about? For Hal David, it was about dedication to his craft, a tireless commitment to songwriters' rights and a desire to bring the world a message of love, sweet love - a sentiment that's never gone out of fashion. The Oscar, Grammy and Gershwin Prize-winning lyricist and former president of performance rights organization ASCAP passed away on September 1. He left behind a world made immeasurably richer by his gift of song. Hal David's turns of phrase in songs like "Raindrops
Although Burt Bacharach had been composing songs at least since 1952, when he kicked off a long career with the instrumental “Once in a Blue Moon” for Nat “King” Cole, the Burt Bacharach “sound” didn’t truly crystallize until the early 1960s. Prior to his reshaping of the sound of adult R&B, Bacharach teamed with a variety of lyricists to craft songs in virtually every genre imaginable: rock-and-roll, rockabilly, country, pop balladry, jazz, even the novelty song. Naturally, the earliest
Today, London’s Dominion Theatre is home to We Will Rock You, a tongue-in-cheek “jukebox musical” featuring the music of Queen. That show is currently celebrating its 10th year at the Dominion, but even before the “Bohemian Rhapsody” chaps came to town, the Dominion was no stranger to mega-musicals from rock stars. In 1986, Dave Clark of the Dave Clark Five put his name above the title of a lavish spectacle called Time. Clark collaborated on the musical’s book and lyrics with David Soames;
Great catalogue music often arrives in the unlikeliest of places. Universal Music Classics and Jazz’s German division has created the budget Jazz Club label, celebrating artists from the various labels under the Universal umbrella. And though its titles may not be available at your local shop, they’re well worth seeking out, offering plenty of material not available elsewhere. Two of the most recent Jazz Club releases are of a particularly rare vintage. Wir Lieben Bacharach! collects 18
What's it all about, Cilla? Though "Alfie" and "Anyone Who Had a Heart" are very much the property of Ms. Dionne Warwick in the United States, Liverpool's Cilla Black can fairly stake claim to them across the pond. Born Priscilla Maria Veronica White, the protégé of Brian Epstein and close Beatle pal scored a string of beloved hit singles at the height of Swinging London, though her profile has long remained under the radar in America. Well, not if The Second Disc has anything to say about
Kritzerland is reaching into the vaults of Los Angeles’ S.T.A.G.E. charitable organization for three star-filled releases celebrating composers who need no introduction: Burt Bacharach, Stephen Sondheim and Andrew Lloyd Webber. These live concert recordings feature renowned artists from the worlds of pop (Melissa Manchester, Stephen Bishop) and jazz (Dave Koz, Ann Hampton Callaway) plus stars from stage, screen and television (Tyne Daly, Felicity Huffman, Len Cariou, Charlotte Rae, Donna
Seven James Bonds at Casino Royale/They came to save the world and win the gal at Casino Royale! Six of them went to a heavenly spot, the seventh one is going to a place where it’s terribly hot… Hal David’s lyric captures just a small fraction of the insanity of Charles K. Feldman’s 1967 Casino Royale, the big-budget comic extravaganza that was “too much…for one James Bond!” And so, David Niven as James Bond was joined by 007s of all shapes and sizes (and genders!), and even by his nephew,
If you see me walking down the street, and I start to cry…or smile…or laugh...there’s a good chance I might be listening to a song by Burt Bacharach. Since beginning his songwriting career with 1952’s instrumental “Once in a Blue Moon” as recorded by Nat King Cole, Bacharach has provided the soundtrack to many of our lives, often in tandem with lyricist Hal David. (Their first collaborations date to 1956, including The Harry Carter Singers’ “Tell the Truth and Shame the Devil,” and Sherry
On March 25, 2012, Aretha Franklin will turn 70 years old. That hardly means she's ready to slow down, however. 2011 found the Queen of Soul looking trim and sounding vibrant as she returned to the concert stage and released a new studio album. Surely her landmark birthday will be celebrated with countless airings of her 1960s golden hits like “Respect,” “Natural Woman” and “Chain of Fools.” But Legacy Recordings and Arista Records are seeing to it that a latter-day hitmaking period for the
Well, Week 2 of Second Discmas is in high gear, and here at Second Disc HQ, we can't get enough of the great music of the silver screen and the Great White Way! Today, we're sharing the immortal music of Hollywood and Broadway with you! Thanks to our fantastic friends at Kritzerland, we have two amazing prize packs for you today! Our "Screen" pack is a triple-threat of soundtrack classics, including two from the legendary Elmer Bernstein! From Bernstein's pen comes the Original Soundtrack
UPDATE 10/6: We're just a few short weeks away from the release of Goin' Back: The Definitive Dusty Springfield, a super deluxe box set by any standards. With its four CDs, three DVDs and two hardback books, Goin' Back may be the ultimate holiday gift for the Dusty diehard. Of its 92 audio tracks, 22 are previously unreleased, 10 are making their U.K. debut and five are appearing for the very first time on CD. Of its 98 video performances, a full 32 are premiering on DVD. But if Goin' Back
Have you ever dreamed of a place far away from it all? Where the air you breathe is soft and clean, and children play in fields of green? And the sound of guns doesn't pound in your ears anymore? Hal David's lyrics expressed a sentiment shared by many of the optimistic generation who hadn't yet felt their ideals vanquished by the reality of Vietnam and growing dissension under the White House of President Richard M. Nixon. David's words were captivatingly sung by folk artist Shawn Phillips,
Burt Bacharach turns 83 today on May 12, 2011, and we've got some news to celebrate! "Pussycat, pussycat, I love you..." Chances are you can sing along to the hip-swiveling melody of those lyrics, sung by Tom Jones and written by Burt Bacharach and Hal David for the 1965 film comedy What's New Pussycat?. But raise your hand now if you remember the sequel! Five years after the success of the original film, United Artists released Pussycat, Pussycat, I Love You, a half-sequel, half-remake moving
A couple of weeks back, Mike filled you in on the track listings for Sony's upcoming slate of Playlist releases. This eclectic bunch - including Muddy Waters, Dave Brubeck, Janis Ian and the Psychedelic Furs - hits stores next week on May 10. Only one title's track listing proved elusive, and now we can reveal that, too. Most happily, it's worth the wait. Playlist: The Very Best of Dionne Warwick is, like many of the titles, an odd collection. It's not a "greatest hits" but more a random
Fate works in mysterious ways. Dionne Warwick was home one evening, half-asleep while the 1982 film Night Shift played on her television set. “I didn’t really pay attention to the names that were going up on the credits,” Warwick recounted, “but I knew that was Burt Bacharach’s melody. There was no way in the world it could be anybody else’s.” She was speaking of “That’s What Friends Are For,” an all-but-forgotten song written for the 1982 film Night Shift, Ron Howard’s major big screen
It may have been sheer coincidence that Ace dropped I’ll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon’s Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, “Just One Look,” and DeShannon offering up the likes of “When You Walk in the Room” and “Put a Little Love in Your Heart.” Both had
With one of the most resonant and recognizable voices in rock and roll, Gene Pitney (1940-2006) was the rare American talent to be able to withstand the British Invasion and continue to thrive. He collaborated with Phil Spector and The Rolling Stones, wrote hit songs for Roy Orbison, Bobby Vee, Ricky Nelson and the Crystals, and brought to life the songs of others, too. Among the recipients of the Pitney treatment were Burt Bacharach and Hal David, Carole King and Gerry Goffin, Barry Mann and
"The dry riffle of the cards and the soft whirr of the roulette wheel, the sharp call of the croupiers and the feverish mutter of a crowded casino hide the thick voice at Bond's ear which says, 'I will count up to ten.'" So read the blurb on the jacket of the original printing of Ian Fleming's 1953 novel Casino Royale, which introduced Agent 007 to the world. Fleming's novel set the tone for those that followed, introducing the "Bond girl" (Vesper Lynd), the larger-than-life villain (Le Chiffre,
Well, another New Year is in sight, the CD still isn't dead (told you so!) and celebration is in the air at The Second Disc. Back on December 23, Mike shared The Year in Reissues both here and over with our pals at Popdose. Do not pass go, do not collect 200 bucks until you read these indispensable columns! Are you back with me? Good. Now, I'd like to take this opportunity to take a fun look back at a few of my favorite things via Joe's Gold Bonus Disc Awards! I'm awarding these to the reissues
Film score fans, you've hit the jackpot! After a successful year of landmark releases such as an expanded edition of Pino Donaggio’s score to Carrie and the remaster and remix of Promises, Promises: The Original Broadway Cast Recording, just to name two, the Kritzerland label is going to the Casino. Of course, I mean Casino Royale. Unlike in most casinos, however, the odds are in the label’s favor, because no film score fan is going to want to be without producer Bruce Kimmel’s deluxe expanded