On the first side of his fifth LP, Todd Rundgren proclaimed, “A man would simply have to be as mad as a hatter/To try and change the world with a plastic platter...” Yet forty years on, Rundgren is still “trying to make a living off an elpee’s worth of toons.” As such, he’s accumulated quite a back catalogue, for which Demon Music Group’s Edsel label has been the most recent steward. In 2011, Edsel began reissuing Rundgren’s Bearsville catalogue, both solo and with Utopia, and continued onto
Review: Billy Joel, "A Matter of Trust: The Bridge to Russia"
Billy Joel has been famously prickly in recent years about many of the archival releases bearing his name. But one hopes that the troubadour, currently in the midst of his tenure as a “franchise” at New York’s Madison Square Garden, is beaming with pride at A Matter of Trust – The Bridge to Russia. This set, available in a variety of audio and video formats from Columbia Records and Legacy Recordings, not only splendidly chronicles Joel’s historic 1987 trek to the Soviet Union but vividly
Review: Vanilla Fudge, "The Complete Atco Singles"
It’s hard to believe that Real Gone Music’s The Complete Atco Singles (RGM-0239, 2014) is the first such overview for Vanilla Fudge. Between 1966 and 1970, the Long Island quartet delivered heavy riff-rock that bridged the gap between psychedelia and the nascent hard rock form that would come to be known as heavy metal, transforming popular songs with a raw, visceral, punch-in-the-gut sound. This tasty, single-disc collection brings together every one of the 18 sides released on the Atco label
Review: Bee Gees, "The Warner Bros. Years: 1987-1991"
Tonight, Barry Gibb’s Mythology tour continues making its way through the United States, as the surviving member of The Bee Gees celebrates his family’s legacy in song. From humble beginnings in Australia (1965’s The Bee Gees Sing and Play 14 Barry Gibb Songs) through international stardom and a final studio farewell (2001’s This is Where I Came In), Barry, Robin and Maurice Gibb mastered an ever-shifting array of styles. Baroque, lightly psychedelic pop/rock ceded to tough funk-infused R&B,
The Salsoul Orchestra Goes "High," "Up the Yellow Brick Road"
Big Break Records' non-chronological series of remastered and expanded reissues for The Salsoul Orchestra has already taken listeners from 1975's eponymous debut to 1982's farewell release Heat It Up. With the recent releases of 1978's Up the Yellow Brick Road and 1979's How High, the label has filled in the gaps of its lavishly produced program of the Orchestra's classic non-holiday studio albums. (No fear, however - there are other collaborative albums and even a collection credited to The
Review: Rod Stewart, "Live 1976-1998: Tonight's the Night"
After more than a decade mining the Great American Songbook, seventies rock, vintage soul and Christmas carols, Rod Stewart returned to original rock material with the 2013 release of Time. And while much of the titular subject had indeed passed since his last album of new songs, Stewart’s distinctive voice and joie de vivre were happily intact. The spirit that has kept Stewart a superstar is fully on display in the new 4-CD box set Tonight’s the Night – Live 1976-1998. Over its four discs and
Review: Real Gone Offers Temptations From David Ruffin and Eddie Kendricks
Three recent releases from the team at Real Gone Music feature the solo music of David Ruffin and Eddie Kendricks, two-fifths of the original Temptations line-up. The label has reissued Ruffin's first four albums on two single CDs, two to each CD, and has premiered Kendricks' post-Motown LP Love Keys, for Atlantic Records, on CD. David Ruffin had departed The Temptations after the April 1968 release of the Wish It Would Rain album, with Dennis Edwards officially joining the group onstage in
Ain't That The Shames! Now Sounds Reissues, Expands The Cryan' Shames' Psych-Pop LP "A Scratch In The Sky"
Put “California Girls” in a blender with “Cherish” and you might well wind up with something like “A Carol for Lorelei,” the bright, harmony-drenched pop nugget that opens The Cryan’ Shames’ sophomore album, 1968’s A Scratch in the Sky. Though the Chicago band recorded the LP in New York City, the good vibrations of the Summer of Love were clearly in the air back east for the Columbia Records artists. Whereas the band’s debut album Sugar and Spice was a blast of energetic rock and roll by way of
Henry Mancini's "Who Is Killing The Great Chefs of Europe?" Inaugurates New Vintage Soundtrack Series From Varese
The 1978 film Who is Killing the Great Chefs of Europe? billed itself as "a delicious mystery." Naturally, a delicious mystery would require a delicious score. To accompany the film's recipe of drama, suspense, comedy and action, director Ted Kotcheff turned to "top chef" Henry Mancini. No stranger to all of those genres and more, composer-arranger-conductor Mancini crafted a score that became one of the film's most memorable assets. The long out-of-print soundtrack album, originally
Ace's "Black America Sings Bacharach and David" Features Dionne, Aretha, Cissy, Nina and More
In retrospect, it might be telling that Burt Bacharach’s first recorded song, “Once in a Blue Moon,” was cut in 1952 by Nat “King” Cole. From those earliest days, Bacharach and his lyrical partner Hal David saw their songs recorded by a host of African-American artists: Johnny Mathis, Gene McDaniels, Joe Williams, Lena Horne, and Etta James among them. Once the duo began to change the sound of American music with their ultra-cool, sophisticated pop-soul compositions, those songs were most
Special Review: Jack Bruce, "Silver Rails"
As bassist, songwriter and singer for the power trio Cream, Jack Bruce ensured his place in the classic rock pantheon. Yet in a career spanning over 50 years, Bruce’s time in Cream was incredibly brief: 1966-1968, with two very brief reunions thereafter. That Cream existed for such a short time seems almost unbelievable in light of how influential the band’s music became. But both B.C. and A.C. – Before Cream and After Cream – Jack Bruce has been a working musician. His first studio album since
Isn't That The Look of Love: Ace Reissues and Expands Lesley Gore's "Girl Talk"
The inviting cover image of Lesley Gore’s 1964 LP features the teenage star on the telephone, poised for some Girl Talk with her best girlfriends. Ace Records, following its expanded version of Gore’s shelved album Magic Colors, has recently reissued Girl Talk in similarly lavish fashion, with thirteen bonus tracks (Ace CDCHD 1383). Ace’s disc spotlights one of the great, largely unheralded “triangle marriages” in pop music – artist Lesley Gore, producer Quincy Jones and arranger Claus
Review: The Everly Brothers, "Songs Our Daddy Taught Us" Expanded Edition
When Phil Everly passed away earlier this year, his legacy was celebrated by both those who knew him and those who were influenced by him. Chanteuse Norah Jones commented, “The high harmonies Phil sang were so fluid and beautiful and always sound effortless in a way that just washes over the listener.” Jones’ partner on the tribute album Foreverly, Billie Joe Armstrong, wrote, “Those harmonies will live on forever.” Iggy Pop observed, “The Everlys were the real deal when it comes to American
Donna Loren's Complete Capitol Anthology Reveals A Wealth Of Pop Treasures
“I’m just a little girl, but I feel a woman’s love for you,” Donna Loren sings on the first track of Now Sounds’ delicious new anthology These Are The Good Times: The Complete Capitol Recordings. Those familiar with the teen starlet’s lone Capitol long-player, Beach Blanket Bingo, might be forgiven for thinking this release would be more of the same sand-and-surf fun. But as Gerry Goffin and Carole King’s “Just a Little Girl” reveals, there’s much more to the music of Donna Loren. The newly
Review: Miles Davis, "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3"
Miles Davis was never one to embrace the predictable. When many of his peers were turning to orchestrated pop-jazz and embellishing the era's AM radio hits, he was embracing rock and roll - not just the sound, but moreover, the spirit - with the vivacity of a younger man. Davis was 44 when he stepped onstage at Manhattan's Fillmore East for the series of concerts recently issued in full for the very first time as the third volume of his Bootleg Series. The title, Miles at the Fillmore - Miles
Review: Linda Ronstadt, "Duets"
Tonight, Linda Ronstadt receives her long-overdue recognition into The Rock and Roll Hall of Fame. But rock and roll, of course, played only a small - if key - role in Ronstadt's career. The breadth of that career is revealed on Rhino's new release of Linda Ronstadt - Duets (Rhino R2 542161), containing fourteen tracks originally released between 1974 and 2006 plus one previously unreleased performance. While there are no duets here from Ronstadt's Tony-nominated turn in Gilbert and Sullivan's
Reviews: Bayeté, Sandra Rhodes and Sid Selvidge Arrive from Omnivore
If you’re looking for a record label to do your deep crate-digging for you, look no further than Omnivore Records. The musical archaeologists there have unearthed three all-but-unknown records from artists on the fringe. But these fresh and vital discoveries from Sid Selvidge, Sandra Rhodes and Todd Cochran a.k.a. Bayeté will likely leave you wondering, “How have I missed this music until now?” Likely on the strength of his work on Bobby Hutcherson’s 1971 Blue Note LP Head On,
Review: Johnny Cash, "Out Among The Stars"
“It’s midnight at a liquor store in Texas, closing time, another day is done when a boy walks in the door and points a pistol/He can’t find a job, but Lord, he’s found a gun...” Talk about an introduction! Listening to the “new” 2013 Johnny Cash album Out Among the Stars, it doesn’t take long to realize you’re in good hands. Cash’s robust, reassuring storyteller’s voice is firmly authoritative on the ironically jaunty opening track, yet filled with empathy for the “many weary
Reviews: Real Gone Goes R&B with Bettye Swann and Samuel Jonathan Johnson
Shreveport, Louisiana-born Bettye Swann never liked her birth name of Betty Jean Champion, yet when it came to soul music, Swann was certainly a champion. Her debut single for Money Records, 1965’s “Don’t Wait Too Long,” became a Top 30 R&B hit, and two years later, “Make Me Yours” went all the way to the No. 1 spot on that chart. It was inevitable that bigger labels than Money would come calling, and sure enough, Swann recorded two country-flavored LPs in 1969 and 1970 for Capitol. Rick
Review: Elvis Presley, "Recorded Live on Stage in Memphis"
Lord a-mighty, do you feel your temperature rising? Okay, "Burning Love" isn't among the songs on the new 2-CD Legacy Edition of Elvis Presley's 1974 Recorded Live on Stage in Memphis, but there's nonetheless plenty to get the pulse pounding and the pelvis swiveling. The original Memphis LP preserved The King's hometown show of March 20, 1974, and this reissue adds a live concert from two nights earlier in Richmond, Virginia plus five bonus tracks from an in-studio rehearsal session. Memphis
Review: Eric Carmen, "The Essential Eric Carmen"
The first track on Legacy Recordings' new double-disc anthology The Essential Eric Carmen (Arista/Legacy 88883745522) is titled, appropriately enough, "Get the Message." And the message relayed by its 30 nuggets comes through loud and clear: whether as power pop prince, classically-inspired MOR balladeer or nostalgic yet contemporary eighties rocker, Eric Carmen had the goods. Young lust never sounded as thrilling, as exuberant, or as pretty as it did in the hands of The Raspberries. Over
Review: Elton John, "Goodbye Yellow Brick Road: 40th Anniversary Edition," Part One
“When are you gonna come down? When are you going to land?” It looked like Elton John would never come down. When Goodbye Yellow Brick Road, Elton John’s seventh album and first double-LP set, arrived in October 1973, it followed six straight Top 10 albums. The last two of those had gone all the way to No. 1. Five of John’s singles had also reached the Top 10 of the Hot 100, including one chart-topper. The former Reg Dwight was at the top of the world. Where does one go from there? The answer,
Review: Little Feat, "Rad Gumbo: The Complete Warner Bros. Years 1971-1990"
“Well they say that time loves a hero/But only time will tell/If he`s real he`s a legend from heaven/If he ain`t he was sent here from hell...” Though Little Feat’s singer-songwriter-guitarist Lowell George wasn’t among the writers of the song “Time Loves a Hero” from the band’s 1977 album of the same name, the lyric might well describe him. Time has, indeed, told: almost 35 years after George’s death in June 1979, his legacy still resonates as does that of the band which he founded. Yet
Donna Summer and John Barry Go "Deep" On New Hot Shot Reissue
Everything about The Deep was big. Jaws author Peter Benchley was guaranteed over half a million dollars by impresario Peter Guber for film rights to his unpublished follow-up in a deal which seemed justified when The Deep finally arrived and quickly became a bestseller. For his big screen-ready underwater adventure, Guber had a big budget, big locations for shooting, and a big partner in Neil Bogart's Casablanca Records. Bogart wasn't known for doing anything small, and as the inaugural
California Dreamin': Carole King, Merry Clayton, The Everly Brothers Featured on "Lou Adler: A Musical History"
Songwriter, manager, A&R man, producer, director, impresario, diehard L.A. Lakers fan – in his eighty years, Lou Adler has worn all of those labels proudly. It’s hard to believe that the same man behind The Rocky Horror Show – both on stage and on screen – and Cheech and Chong’s Up in Smoke also helmed one of the most successful records ever in Carole King’s Tapestry, or that the same man penned a bona fide standard in Sam Cooke’s “Wonderful World.” But much of Lou Adler’s extraordinary
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