Meet the Beatles...again. The new Apple/Capitol/Universal release On Air: Live at the BBC Volume Two sets the Wayback Machine at Destination: 1963 and 1964, when four Liverpool lads named John, Paul, George and Ringo ignited a British Invasion that continues to this very day. All 63 tracks (both spoken-word introductions and songs) on this new 2-CD time capsule date back to those two years, when the Fabs recorded unique performances for such BBC programs as Saturday Club and Pop Go the
BBR Completes Pointer Sisters' Planet Catalogue with "Priority" and "Black and White" Remasters
Between 1978 and 1988, The Pointer Sisters recorded a stunning series of nine albums with producer Richard Perry (Barbra Streisand, Harry Nilsson), first for his Elektra-distributed Planet Records label, and then for RCA, to whom Perry eventually sold Planet. During this period, June, Ruth and Anita finally were able to Break Out on the U.S. charts - to quote the title of the group's multi-platinum 1983 album which introduced four U.S. Top 10 hits. Previously the Pointers had mastered jazz,
Review: Belinda Carlisle Deluxe Remasters From Edsel (1987-1993)
As lead singer of California rock group The Go-Go's, Belinda Carlisle conclusively proved that she, indeed, had the beat. In her solo career, she applied her powerfully soaring pipes - one minute honeyed, the next smoky - to some of the most iconic pop songs of the era. Edsel has recently repackaged Carlisle's second through fifth albums as truly deluxe, hardbound 2-CD/1-DVD editions, and they're a nostalgic trip back to the days when power ballads ruled the radio and one singer stood at the
Back to Black: Legacy Unveils Record Store Day Black Friday Exclusives From Simon, Dylan, Davis, Nilsson, Hendrix & More
It's that time of year again! Though Black Friday has taken a backseat in recent years to the once-unheard-of Thanksgiving Day sales, the folks at Record Store Day still hold the day after Thanksgiving in high esteem. News has begun to trickle out about this year's RSD Back to Black Friday exclusives, and the team at Legacy has certainly put together a collection of special vinyl releases - and a handful of CDs, too - that look back to recent releases from the label and forward to future
Omnivore Re-Joins Jellyfish Fan Club with Unreleased Radio Performances
Fans of eternally underrated power-pop outfit Jellyfish have had nothing but friends over at Omnivore Recordings. The label first released the band's two studio albums, Bellybutton and Spilt Milk, on vinyl. Then there was the unreleased Live At Bogart's and the Stack-a-Tracks compilation, which featured mostly-instrumental mixes of the two albums uncovered from the vaults. Now, Omnivore prepares Radio Jellyfish, a ten-track compilation of radio broadcasts recorded two decades ago. All but one
Review: Harry Nilsson, "Flash Harry"
When Harry Nilsson's The RCA Albums Collection was finally unveiled earlier this year by Legacy Recordings, many finally stood up and took notice of the gifted singer-songwriter whose art deftly blended the high and the low, the angelic and the devilish, the euphoric and the melancholy. That astounding box set included each one of Nilsson's albums for the RCA label - in other words, his entire solo discography save one album. And now, that final missing link is finally here, on CD to join its
Varese Offers Up Fab Pair with George Martin's "Beatles to Bond" and Campbeltown Pipe Band's "Mull of Kintyre"
With the upcoming release of The Beatles’ On Air: Live at the BBC Volume Two, there’s Beatlemania in the air once again. And the Varese Sarabande label’s Varese Vintage imprint is at the ready with two recent reissues bearing ties to the Fab Four: George Martin’s Beatles to Bond and Bach (1974) and The Campbeltown Pipe Band’s Mull of Kintyre (1978). Both of these are rather unexpected titles and all the more welcome for it! Beatles to Bond and Bach, originally issued on the Polydor label,
Short Takes, Christmas Edition: Glen Campbell, Judy Collins, Al Hirt Bring Holiday Cheer
At long last - Capitol Records has That Christmas Feeling. Glen Campbell’s first Christmas album, from 1968, has long been absent from CD, but the label has rectified that with the new release of Campbell’s ICON Christmas. Though retitled and with new artwork, ICON Christmas is, in fact, That Christmas Feeling as newly remastered by Mike Jones at Universal Mastering. (The previous, now-hard-to-find CD issue, from the Netherlands, also presented the album with new art.) Produced by Al De Lory
Review: Joanie Sommers, "Come Alive! The Complete Columbia Recordings"
On the opening track of Joanie Sommers' 1966 Columbia LP Come Alive!, the velvet-voiced singer seductively taunted, "You better love me while you may! Tomorrow I may fly away..." True, the Hugh Martin/Timothy Gray tune was originally sung by the late Elvira, a ghost haunting her husband in the musical High Spirits. But it could just as easily have applied to Sommers. Following a string of hit albums and singles for Warner Bros. Records, her home since 1960, the winsome "Pepsi Girl" and
Yeah, Yeah, Yeah! The Beatles' "On Air: Live at the BBC Volume 2" Rocks November
The worst-kept secret of this fall's upcoming release schedule is finally out - and we're shouting, "Yeah, yeah, yeah!" After weeks of speculation, Capitol Records has finally confirmed the November 11 arrival of The Beatles' On Air - Live at the BBC Volume 2. Its 63 tracks - encompassing 40 musical performances (37 of which are previously unreleased) and 23 selections of on-air, in-studio repartee - were all recorded for the Fab Four's 1963-1964 BBC radio performances on shows such as Pop Go
Special Review: Glen Campbell and Jimmy Webb Conjure Old Ghosts On Two New Releases
Since 1967, it’s been difficult to think of Glen Campbell without thinking of Jimmy Webb – and vice versa. When the ace session guitarist interpreted the young songwriter’s “By the Time I Get to Phoenix” on the album of the same name, the result wasn’t just a Grammy-winning hit single, but the beginning of a partnership that’s survived through six decades. Campbell scored successes with a string of Webb’s songs in the late 1960s (“Wichita Lineman,” “Galveston,” “Where’s the Playground, Susie”),
Lonely Boy No More: Edsel Honors Andrew Gold with Complete Albums Set
If you've been looking for a simple way to acquaint yourself with the soft rock stylings of the late Andrew Gold, Edsel may have just the set for you: a triple-disc, bonus-laden compilation of Gold's four albums for Asylum Records. The singer/songwriter/multi-instrumentalist enjoyed his greatest successes as one of the pre-eminent smooth pop tunesmiths of the late '70s. "Lonely Boy" was a Top 10 hit in 1977, while follow-ups "Thank You for Being a Friend" and "Never Let Her Slip Away" enjoyed
Hot Stuff: Donna Summer's Legacy Celebrated with New Remix Album
The sudden passing of Donna Summer in 2012 had fans old and new flocking to her music to hear some of the finest disco music imaginable. This fall, Verve Records will bring that legacy into a new era with Love to Love You Donna, a set featuring new remixes of her most enduring tracks. Happily, Love to Love You Donna features more than its share of enduring remixers to give Summer's hits the respect they deserve. Electronic funk duo Chromeo tackles her 1982 hit "Love is in Control (Finger on
Really Saying Something: Bananarama Reissues Coming from Edsel
"Hot summer streets and the pavements are burning, I sit around..." Summer may be over, but Edsel's given Bananarama fans quite the reason to sing and dance: on October 22, they will reissue all six of the London girl group's London Records albums as 2CD/1DVD sets. Known for their spunky, tomboyish image, powerful unison vocals and a style with one foot in both the past and the future - hits included covers of "Really Saying Something" by The Velvelettes, Steam's "Na Na Hey Hey Kiss Him
Review: Sly and the Family Stone, "Higher!"
Sly Stone was a sponge. After leading Bobby "Do You Wanna Dance" Freeman to a hit record with 1965's "C'mon and Swim," the writer-producer-artist formerly known as Sylvester Stewart knew he had hit on a good thing. Hence, "I Just Learned to Swim." Then, "Scat Swim." But on the latter, Stone was already showing off his stylistic diversity, interrupting the beat to "slow it down a little so everybody can swim" and then speeding it back up again. He had soaked up the fertile creative
Review: The Beach Boys, "Made in California"
If everybody had an ocean... Rarely have five simple words in pop music held such promise. The message at the time was an invitation squarely aimed at teens: “If everybody had an ocean, across the USA/Then everybody’d be surfin’ like Califor-ni-a...” But ultimately, the promise and California dream embodied by Hawthorne, CA’s native sons came to mean so much more than mere surfin’. The sound of The Beach Boys – Brian Wilson, Mike Love, Carl Wilson, Dennis Wilson, Al Jardine, David Marks,
Review: Dionne Warwick, "We Need to Go Back: The Unissued Warner Bros. Masters"
We need to go back to the songs we used to sing... - Nickolas Ashford and Valarie Simpson, “We Need to Go Back” What’s remarkable about the 19 outtakes on Dionne Warwick’s We Need to Go Back: The Unissued Warner Bros. Masters (Real Gone Music RGM-0170) is that they’re every bit as good as – and in many cases, superior to - the music actually released during Warwick’s stormy five-year stay at the label. Every one of the soulful stylist’s Warner albums is represented with outtakes save 1972’s
Review: Dionne Warwick, "The Complete Warner Bros. Singles"
Dionne Warwick’s 1972-1977 tenure at Warner Bros. Records has long been a subject of much confusion. Why couldn’t the Burbank giant yield any hit records with the superstar artist after signing her to a record-breaking deal? Sure, the “triangle marriage” of Warwick, Burt Bacharach and Hal David was breaking up, but Warner paired her with some of the most famed names in soul music: Holland-Dozier-Holland, Jerry Ragovoy, and Thom Bell among them. Bell scored a hit for Warwick with “Then Came
Review: Elvis Presley, "Elvis at Stax"
The distance from 3764 Elvis Presley Boulevard , or Graceland, to Stax Records' headquarters at 926 East McLemore Avenue is just a little over 5 miles. So when RCA Records came calling on the once and future King in mid-1973 to fulfill an obligation to record 24 songs (a 10-song album, four single sides, and a 10-song "religious album"), the studio founded by Jim Stewart and Estelle Axton seemed to be the perfect locale. Recording at home in Memphis had always brought something special to
Make Way For Dionne Warwick: 23 Scepter and Warner Bros. Albums To Be Remastered and Expanded [NOW WITH UPDATED TRACK LISTINGS]
UPDATE 8/6/13: WEA Japan's deluxe mini-LP editions of Dionne Warwick's Scepter and Warner catalogue have finally arrived, but many purchasers have been surprised to find numerous alterations in the albums' bonus material. Originally-listed bonus tracks have been added, dropped, and reshuffled between albums. By the numbers, there are 5 more bonus tracks than originally listed, but some songs are absent with others taking their place. Below, in BOLD, we'll let you know exactly what you'll
SoulMusic Records Is "Born to Love" With Reissues from Peabo and Roberta, Nancy Wilson and Tavares
With its latest batch of reissues, including titles from Peabo Bryson and Roberta Flack, Tavares, and Nancy Wilson, Cherry Red's SoulMusic Records imprint can truly be said to cover a wide swath of the soulful spectrum. Duets have long been staples of great R&B. Marvin Gaye and Tammi Terrell, Roberta Flack and Donny Hathaway, James Ingram and Patti Austin, and Otis Redding and Carla Thomas - just to name a few in the pantheon - all proved that "it takes two." (That title, in fact, gave
Review: Nilsson, "The RCA Albums Collection"
A largess universal like the sun His liberal eye doth give to every one, Thawing cold fear, that mean and gentle all, Behold, as may unworthiness define, A little touch of Harry in the night. - William Shakespeare, Henry V, Act IV He's a pretty nifty guy Always looks you in the eye Everybody passing by will sigh For Harry... - Eric Idle, "Harry" Harry Nilsson had the voice of an angel, and raised hell like the devil. A consummate songwriter, he had his biggest hits with two songs
The Anita Kerr Singers Step Out of the Background On Reissue of "The Genius in Harmony"
The release of director Morgan Neville's documentary 20 Feet from Stardom has rightfully placed the spotlight on those dynamite vocalists who toil in the shadows on record and onstage, often without credit. Background singers are part and parcel of the story of popular music, and Neville's film has given richly-deserved attention to Darlene Love, Merry Clayton, Claudia Lennear, Judith Hill, and other greats of the field. The story of background groups like The Breakaways, The Jordanaires, The
Release Round-Up Special: James Taylor, CSN, "Blade Runner" Released by Audio Fidelity
In lieu of a standard Release Round-Up this week, here's a look at the major three titles that are out today: the latest gold discs and SACDs from Audio Fidelity. The titles released today are Crosby, Stills & Nash's CSN, James Taylor's Gorilla and Vangelis' soundtrack album to Blade Runner. The third studio album by the folk-rock supergroup Crosby, Stills and Nash, released in 1977, is crucially different from the ones before - this time, there's no contribution from Neil Young. (Young
Wherever He Lays His Hat: Cherry Pop Collects Paul Young's "Remixes and Rarities"
For Daryl Hall, "Every Time You Go Away" might have been "the one that got away." Hall recorded his song on Hall and Oates' 1980 album Voices, where it languished as an album track in the shadow of hit singles "Kiss on My List," "You Make My Dreams," "How Does It Feel to Be Back," and "You've Lost That Lovin' Feelin'." But you can't keep a great blue-eyed soul ballad down. In 1985, Hall's composition became the centerpiece of British-born Paul Young's sophomore album The Secret of
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