Lucky for us, Loudon Wainwright III is only "so damn happy" on an infrequent basis. The singer-songwriter-humorist-satirist-actor (is that enough of a multi-hyphenate for you?) posited the question "Is it necessary to feel like shit in order to be creative?" He arrived at the final answer "yes!" but prefaced it with "unless you're J.S. Bach." Over the course of 91 songs on four CDs and another 38-plus on DVD, Shout! Factory's new box set 40 Odd Years (82663-12189, 2011) - dig the double
Review: Roy Orbison, "The Monument Singles Collection (1960-1964)"
It's frequently been said that image is everything in the music business. And surely one of the most recognizable images in all of music is that of Roy Orbison, the loner behind dark sunglasses, clad in black. If one could see his eyes, wouldn't they surely betray his lifetime of heartache? His wife Claudette (the inspiration behind the song) was killed at his side in a motorcycle accident, his two young sons perished in a fire at his home. There was more than meets the eye to Roy Orbison,
Review: Howard Jones, "The 12" Album/Action Replay: Remastered Editions"
Less is more, they tell you. If a song like "Yesterday" was done with a full band, would it have retained its emotional impact than its original, heartrending arrangement? Now, that argument often rings true, but sometimes a little more is pretty fun, too. Anyone who enjoys the music of the 1980s can attest to this. Some of the best hits of that decade were flush with production techniques and overdubs that would have been shunned in decades past. The synthesizer and the drum machine became the
Review: Bob Dylan, "In Concert: Brandeis University 1963"
Will the real Bob Dylan please stand up? Sunday, May 12, 1963. A 21-year old Bob Dylan is scheduled to appear on The Ed Sullivan Show, America’s favorite variety program. The young singer plans to perform his satirical “Talking John Birch Paranoid Blues,” taking sharp aim at the radical anti-Communist John Birch Society. In the song, Dylan’s narrator joins the group, walking off with his “secret membership card," ready to hunt for reds. “Now we all agree with Hitler’s views, although he killed
Review: Leon Russell, "The Best of Leon Russell"
There wasn't a dry eye in the house when Leon Russell, upon accepting his induction to the Rock and Roll Hall of Fame, thanked Elton John for rescuing him from "a ditch beside the highway of life." Thanks to the success of The Union, the collaborative album between John and his early idol, Leon Russell's profile has been considerably high of late. It's been so high, in fact, that one member of the Steve Hoffman Music Forums even queried of the community, "Is Leon Russell getting too much
Review: Aretha Franklin, "Take a Look: Aretha Franklin Complete on Columbia"
Some legends are repeated so often that they’ve come to be accepted as the truth. One such legend has it that the suits at Columbia Records, circa 1960-1965, were a chain of fools who kept Aretha Franklin from reaching her potential. After all, the record states that one year and one record after being released from Columbia, a superstar was born. But what if that notion was completely incorrect, and Aretha Franklin’s talent was already fully formed and on display at Columbia? Listen to the
Review: "Inner City: The Original Broadway Cast Recording"
"I look around and what do I see? Nothing's the way it used to be..." In 1969, Eve Merriam bluntly took aim at violence, racism, corruption and poverty in her ironic collection of verse, Inner City Mother Goose. Controversial from the outset, Merriam's Mother Goose became one of the most banned books in the country. Enter visionary theatre director Tom O'Horgan. Having replaced Gerald Freedman for Hair's move uptown in 1968, O'Horgan was well known for his experimental flair. Julian Barry's
Review: Various Artists, "Manhattan Soul: Scepter, Wand and Musicor"
Tomorrow evening, New York’s Broadhurst Theatre will be filled with the sounds of soul. The new Broadway musical Baby, It’s You! will begin previews on March 26, bringing to the stage the story of New Jersey housewife Florence Greenberg (portrayed by Tony Award winner Beth Leavel) and her mighty musical empire founded in 1959. Greenberg, a pioneering woman in a field then dominated by men, nurtured the careers of The Shirelles and Dionne Warwick, among others, shepherding the songs of Carole
Review: "It's a Mad, Mad, Mad, Mad World: Original MGM Motion Picture Soundtrack"
Close your eyes for a moment and pretend you're on Jeopardy! The answer: "This 1963 widescreen epic opened Hollywood's Cinerama Dome." The question: "What is It's a Mad, Mad, Mad, Mad World?" Raise your hand if you got it right! Yes, Mad World, as we'll abbreviate it for expediency's sake, is this author's epic film to end all epic films (sorry, Ben-Hur!) and certainly one of the only Hollywood epic comedies! While the designation "all-star" has been applied before and since, perhaps no film
Review: Simon and Garfunkel, "Bridge Over Troubled Water: 40th Anniversary Edition"
"What's the point of [making] this album?," an impossibly youthful Paul Simon asks in the 1969 television special Songs of America. "The world is crumbling." If Simon didn't know then why he was "just" recording an album despite all of the tumult around him, he almost certainly knows now. After all, he and partner Art Garfunkel have seen Bridge Over Troubled Water make it to 40 years (actually, 41!), and have even participated in the celebration. The duo have also seen the accompanying album and
Review: Neil Diamond, "The Bang Years 1966-1968"
When it comes to Neil Diamond, I'm a believer. There's not a trace of doubt in my mind that Diamond burst onto the scene at the right time - not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on The
Review: Billy Joel, "Live at Shea Stadium" and "Last Play at Shea"
One of the biggest pitfalls as a music writer is reading something - usually a review - that spells out your thoughts so well that you have no idea where to go with your own piece. Popdose editor-in-chief Jeff Giles did that alarmingly well with his scathing assessment of Billy Joel's Live at Shea Stadium: The Concert (Columbia/Legacy 88697 85424-2, 2011), calling it "pungently shitty, the nadir of a relatively distinguished career, and the type of release that justifies the awful music business
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I'll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon's Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, "Just One Look," and DeShannon offering up the likes of "When You Walk in the Room" and "Put a Little Love in Your Heart." Both had
Review: The Crystals, The Ronettes and Darlene Love: "The Very Best Of"
If Phil Spector didn’t exist, someone would have had to invent him. Spector scored his first chart-topper as writer, artist and arranger in 1958 with “To Know Him is to Love Him” performed his by group, the Teddy Bears. But a 1960 apprenticeship with famed songwriters Jerry Leiber and Mike Stoller convinced the ambitious young man that his future was behind the scenes as a producer. (His 1960 stint with Leiber and Stoller also yielded “Spanish Harlem,” which Spector co-wrote with Leiber.) With
Review: Various Artists, "Wall of Sound: The Very Best of Phil Spector 1961-1966"
In another time, in another place, I would not be writing this review of Legacy's new Phil Spector compilation with a slight pang of melancholy. And you wouldn't be reading it with the possible tug at the heartsrings you might face now. Phil Spector was one of the most significant pop producers of the 20th century - a creator of pop music as a blissful, romantic, universal commodity - but recent events have ensured that anyone who speaks his name today does so with hesitation, with knowledge of
Review: Ride, "Nowhere: 20th Anniversary Edition"
Rock music has a definite genre problem. When Rhino Handmade announced the reissue of Ride's Nowhere late last year, some absent-minded reading on Wikipedia yielded a primer on the shoegaze genre. "Shoegaze" is one of those things you might encounter if you were a voracious reader of music reviews in the early '90s, but it might have just been a word rather than a whole genre. Shoegaze was a mini-genre assigned to bands with a particular style - particularly, effects-laden guitars taking
Review: Tim Buckley, "Tim Buckley"
When Tim Buckley is discussed today, it's most often in the context of his son Jeff, and the eerie similarities between the lives of father and son, both of whom died at tragically young ages. So Rhino Handmade's expanded two-CD remaster of Tim Buckley's debut (Rhino Handmade RHM2 526087, 2011) isn't just a celebration of a folk-rock classic, but a stunning reminder of his talent on its own considerable merits. Tim Buckley's eponymous debut remains a haunting work by a haunted man. Yet like
Review: George Michael, "Faith: Legacy Edition"
It won't make any sense in today's media-saturated world, but in 1987 and 1988, George Michael was inescapable. The idea that one single artist could grab multiple genders, races, cliques and generations by the shoulders with his or her music is all but impossible today, but the man born Georgios Kyriacos Panayiotou did just that. Faith, released by Epic Records in the fall of 1987, put six tracks in Billboard's Top 5 (two-thirds of them No. 1 hits), netted him a Grammy Award for Album of the
Review: "The Very Best of The Rat Pack"
What do we know about The Rat Pack, that famed group of celebrity rogues and rapscallions that defined American cool in the early '60s? You might not know that only a third of the classic members of the group were initially included; The Rat Pack was initially made up of actor friends of Humphrey Bogart and Lauren Bacall, including Frank Sinatra but not Dean Martin or Sammy Davis, Jr. But after Bogart's death and the subsequent release of Ocean's 11 in 1960, the classic image of The Rat Pack -
Review: The Jayhawks, "Hollywood Town Hall" and "Tomorrow the Green Grass"
"Please don't call it 'alt-country!'," pleads The Jayhawks' archivist P.D. Larson in the liner notes to the new Legacy Edition of the band's fourth album, 1995's Tomorrow the Green Grass. But whatever you call it, the uniquely American music of the Jayhawks has endured, and is currently being celebrated by American Recordings and Sony/Legacy with two deluxe reissues produced by Larson and John Jackson. The band's major label debut from 1992, Hollywood Town Hall, has been expanded with a clutch
The Year in Reissues, Part III: The Gold Bonus Disc Awards
Well, another New Year is in sight, the CD still isn't dead (told you so!) and celebration is in the air at The Second Disc. Back on December 23, Mike shared The Year in Reissues both here and over with our pals at Popdose. Do not pass go, do not collect 200 bucks until you read these indispensable columns! Are you back with me? Good. Now, I'd like to take this opportunity to take a fun look back at a few of my favorite things via Joe's Gold Bonus Disc Awards! I'm awarding these to the reissues
MERRY DISCMAS!
We're just about to put the "Closed" sign on the door of The Second Disc HQ, but should any of you stumble upon The Second Disc on Christmas, I want this to be the first thing you see for two reasons. One, you're going to find a compendium below of all the Christmas articles Joe and myself have done this season. Let them fill you with Christmas cheer whenever you need some! And second, and most importantly, may you, the treasured reader of The Second Disc, have a Merry, Merry Christmas and a
Review: James Brown, "The Complete James Brown Christmas"
What artists do you associate with Christmas? The Beach Boys? Andy Williams? Perry Como? How about James Brown? That last one isn't a name one might immediately associate with the holiday season, outside of December 25, 2006 being the day of his death. But Brown cut no less than three holiday albums during his career, and for the first time, Hip-o Select has compiled those LPs (and more, naturally) into a two-disc set, The Complete James Brown Christmas (Polydor/Hip-o Select B0014791-02). The
Review: John Williams, "Home Alone: Expanded Original Motion Picture Score"
When you discuss the best modern entry into the Christmas music canon, most discussion centers on Mariah Carey's "All I Want for Christmas is You." The 1994 song did a fantastic job of paying tribute to the always-excellent A Christmas Gift to You from Phil Spector (1963), bringing the Wall of Sound to the '90s, and it's lived on for over 15 years. One Yuletide tune that deserves your attention from earlier in that decade, however, is "Somewhere in My Memory," the heartwarming main theme from
Review: Perry Como, "The Complete Christmas Collection"
They don’t make ‘em like that anymore. I can’t help but think of that old adage whenever I think of Perry Como. The singer was one in a line of great crooners, many of them Italian-Americans. Frank Sinatra, dean of them all and forever the Chairman of the Board, was well-known for his swagger. Tony Bennett is still renowned for the jazz chops he brings as an interpretive vocalist. Perry Como, though, is perhaps best-known for his quiet gentility. Days after his death in 2001, conservative