When it comes to Neil Diamond, I'm a believer. There's not a trace of doubt in my mind that Diamond burst onto the scene at the right time - not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on The
Review: Billy Joel, "Live at Shea Stadium" and "Last Play at Shea"
One of the biggest pitfalls as a music writer is reading something - usually a review - that spells out your thoughts so well that you have no idea where to go with your own piece. Popdose editor-in-chief Jeff Giles did that alarmingly well with his scathing assessment of Billy Joel's Live at Shea Stadium: The Concert (Columbia/Legacy 88697 85424-2, 2011), calling it "pungently shitty, the nadir of a relatively distinguished career, and the type of release that justifies the awful music business
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I'll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon's Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, "Just One Look," and DeShannon offering up the likes of "When You Walk in the Room" and "Put a Little Love in Your Heart." Both had
Review: The Crystals, The Ronettes and Darlene Love: "The Very Best Of"
If Phil Spector didn’t exist, someone would have had to invent him. Spector scored his first chart-topper as writer, artist and arranger in 1958 with “To Know Him is to Love Him” performed his by group, the Teddy Bears. But a 1960 apprenticeship with famed songwriters Jerry Leiber and Mike Stoller convinced the ambitious young man that his future was behind the scenes as a producer. (His 1960 stint with Leiber and Stoller also yielded “Spanish Harlem,” which Spector co-wrote with Leiber.) With
Review: Various Artists, "Wall of Sound: The Very Best of Phil Spector 1961-1966"
In another time, in another place, I would not be writing this review of Legacy's new Phil Spector compilation with a slight pang of melancholy. And you wouldn't be reading it with the possible tug at the heartsrings you might face now. Phil Spector was one of the most significant pop producers of the 20th century - a creator of pop music as a blissful, romantic, universal commodity - but recent events have ensured that anyone who speaks his name today does so with hesitation, with knowledge of
Review: Ride, "Nowhere: 20th Anniversary Edition"
Rock music has a definite genre problem. When Rhino Handmade announced the reissue of Ride's Nowhere late last year, some absent-minded reading on Wikipedia yielded a primer on the shoegaze genre. "Shoegaze" is one of those things you might encounter if you were a voracious reader of music reviews in the early '90s, but it might have just been a word rather than a whole genre. Shoegaze was a mini-genre assigned to bands with a particular style - particularly, effects-laden guitars taking
Review: Tim Buckley, "Tim Buckley"
When Tim Buckley is discussed today, it's most often in the context of his son Jeff, and the eerie similarities between the lives of father and son, both of whom died at tragically young ages. So Rhino Handmade's expanded two-CD remaster of Tim Buckley's debut (Rhino Handmade RHM2 526087, 2011) isn't just a celebration of a folk-rock classic, but a stunning reminder of his talent on its own considerable merits. Tim Buckley's eponymous debut remains a haunting work by a haunted man. Yet like
Review: George Michael, "Faith: Legacy Edition"
It won't make any sense in today's media-saturated world, but in 1987 and 1988, George Michael was inescapable. The idea that one single artist could grab multiple genders, races, cliques and generations by the shoulders with his or her music is all but impossible today, but the man born Georgios Kyriacos Panayiotou did just that. Faith, released by Epic Records in the fall of 1987, put six tracks in Billboard's Top 5 (two-thirds of them No. 1 hits), netted him a Grammy Award for Album of the
Review: "The Very Best of The Rat Pack"
What do we know about The Rat Pack, that famed group of celebrity rogues and rapscallions that defined American cool in the early '60s? You might not know that only a third of the classic members of the group were initially included; The Rat Pack was initially made up of actor friends of Humphrey Bogart and Lauren Bacall, including Frank Sinatra but not Dean Martin or Sammy Davis, Jr. But after Bogart's death and the subsequent release of Ocean's 11 in 1960, the classic image of The Rat Pack -
Review: The Jayhawks, "Hollywood Town Hall" and "Tomorrow the Green Grass"
"Please don't call it 'alt-country!'," pleads The Jayhawks' archivist P.D. Larson in the liner notes to the new Legacy Edition of the band's fourth album, 1995's Tomorrow the Green Grass. But whatever you call it, the uniquely American music of the Jayhawks has endured, and is currently being celebrated by American Recordings and Sony/Legacy with two deluxe reissues produced by Larson and John Jackson. The band's major label debut from 1992, Hollywood Town Hall, has been expanded with a clutch
The Year in Reissues, Part III: The Gold Bonus Disc Awards
Well, another New Year is in sight, the CD still isn't dead (told you so!) and celebration is in the air at The Second Disc. Back on December 23, Mike shared The Year in Reissues both here and over with our pals at Popdose. Do not pass go, do not collect 200 bucks until you read these indispensable columns! Are you back with me? Good. Now, I'd like to take this opportunity to take a fun look back at a few of my favorite things via Joe's Gold Bonus Disc Awards! I'm awarding these to the reissues
MERRY DISCMAS!
We're just about to put the "Closed" sign on the door of The Second Disc HQ, but should any of you stumble upon The Second Disc on Christmas, I want this to be the first thing you see for two reasons. One, you're going to find a compendium below of all the Christmas articles Joe and myself have done this season. Let them fill you with Christmas cheer whenever you need some! And second, and most importantly, may you, the treasured reader of The Second Disc, have a Merry, Merry Christmas and a
Review: James Brown, "The Complete James Brown Christmas"
What artists do you associate with Christmas? The Beach Boys? Andy Williams? Perry Como? How about James Brown? That last one isn't a name one might immediately associate with the holiday season, outside of December 25, 2006 being the day of his death. But Brown cut no less than three holiday albums during his career, and for the first time, Hip-o Select has compiled those LPs (and more, naturally) into a two-disc set, The Complete James Brown Christmas (Polydor/Hip-o Select B0014791-02). The
Review: John Williams, "Home Alone: Expanded Original Motion Picture Score"
When you discuss the best modern entry into the Christmas music canon, most discussion centers on Mariah Carey's "All I Want for Christmas is You." The 1994 song did a fantastic job of paying tribute to the always-excellent A Christmas Gift to You from Phil Spector (1963), bringing the Wall of Sound to the '90s, and it's lived on for over 15 years. One Yuletide tune that deserves your attention from earlier in that decade, however, is "Somewhere in My Memory," the heartwarming main theme from
Review: Perry Como, "The Complete Christmas Collection"
They don’t make ‘em like that anymore. I can’t help but think of that old adage whenever I think of Perry Como. The singer was one in a line of great crooners, many of them Italian-Americans. Frank Sinatra, dean of them all and forever the Chairman of the Board, was well-known for his swagger. Tony Bennett is still renowned for the jazz chops he brings as an interpretive vocalist. Perry Como, though, is perhaps best-known for his quiet gentility. Days after his death in 2001, conservative
Review: "Super Mario History 1985-2010"
It's a credit to one's abilities as a composer when people all over the world can vocalize the instruments that play your songs. Every hook The Beatles got on the radio proved their expertise at this. Plenty of album-oriented rock bands have accomplished similar feats. In terms of worldwide appeal, however, Koji Kondo may have them all beat. Though few know his name, a simple vocalization - "Doo-doo-doo-do-do-DOOT" - solidifies his status as a legend. And to think, his most successful music
Review: Michael Jackson, "Michael"
Last winter, with Michael Jackson's sudden passing not even five months in the past, Motown and Universal Music Enterprises released I Want You Back! Unreleased Masters, a ten-track compilation that was certainly the first in a long salvo of cash-in, vault-clearing titles in honor of the King of Pop (it was wisely marketed as commemorating the 40th anniversary of the J5's first single, which was true enough). Surprisingly, after a great but ill-timed box set collecting Jackson's solo albums and
Review: Mr. Mister, "Pull"
It's a story that's been done to death: band releases hit album, changes direction ambitiously for follow-up, is met with critical or commercial indifference - or worse, the disapproval of a label leads to said ambitious follow-up never happening. Sometimes, though, there's a post-script, Eddie and The Cruisers-style, where the music is freed from captivity to the delight of adoring fans. In some ways, this is the story of Pull, the mythical fourth album by Mr. Mister, one of the more notable
Review: Bing Crosby, "The Crosby Christmas Sessions"
It’s beginning to sound a lot like Christmas when you hear the voice of Bing Crosby. It would hardly be considered a stretch to credit Crosby as one of the inventors of the art of popular singing. Crosby was among the first performers to conversationally and intimately sing as an extension of speech; he also pioneered the technique of the microphone so a singer wouldn’t have to belt to the rafters. Despite these accomplishments that seismically shifted the sound of American music, the late
Review: Bee Gees, "Mythology: The 50th Anniversary Collection"
I've gotta get a message to you. The Bee Gees are celebrating half a century in the business we call show, and Rhino has invited fans to the party with the release of Mythology: The 50th Anniversary Collection, a new four-disc box. There's always something unmistakable about a family's vocal blend. The Gibbs belong to the same tradition alongside the Everlys, the Wilsons, the Jacksons, the Carpenters, and so many others. Family was foremost on Barry and Robin Gibb's mind when creating
Review: Paul Williams, "Someday Man: Deluxe Expanded Edition"
There are certain albums a person returns to, over and over again. These albums often transcend time and genre, and chances are you can name a few of them that reside in your own music collection. I'm talking about that special album you might play when you're down, or when you just need a visit from an old friend to remind you of another time. At The Second Disc, we frequently strive to remind you of those albums. Through the years, one such record for me has been Paul Williams' Someday Man.
Review: Bruce Springsteen, "The Promise: The Darkness on the Edge of Town Story"
In 1978, Bruce Springsteen famously mined the darkness on the edge of town, but it was unknown until recently that he considered living in the light of those same New Jersey streets. Flush with the success of Born to Run but drained from a prolonged battle with his former manager, Springsteen considered all avenues in creating the follow-up to the album that changed everything. And much like the eventually-resulting Darkness on the Edge of Town upped the ante from that 1975 landmark, the
Review: The Stooges, "Have Some Fun: Live at Ungano's"
Perhaps more than any other band, you can learn a great deal about The Stooges without ever taking a really close listen to their music. For instance, when Raw Power, the band's final album before a lengthy split, was remastered and reissued in 1997, chaotic lead singer Iggy Pop personally remastered the album to be as unlistenable as possible. Volume levels were at a violent, threatening level - a potent reminder of the band's sonic death wish and Pop's iconic, self-destructive attitude. The
Review: The Apple Records Remasters, Part 5 - Apple, Collected and Boxed
In the final part of our Apple Records series, we open the import-only Apple Box Set and spin the label's first-ever "greatest hits" set. While the label only lasted a tumultuous seven years between 1968 and 1976, the legacy of Apple Records survives on today’s radio airwaves: “Those Were the Days.” “Day After Day.” “Come and Get It.” Notwithstanding The Beatles’ albums, both solo and as a group, that bore the famous label design, there was no shortage of great music emanating from the Savile
Review: The Apple Records Remasters, Part 4 - Harrison's Soulful Trio
In the penultimate installment of our weeklong series on the new Apple Records remasters, we listen to the label's three most soulful singers: Jackie Lomax, Doris Troy and Billy Preston, and along the way, encounter George Harrison, Paul McCartney, Ringo Starr and a number of their most famous friends! In yesterday’s installment, we looked at the less commercial side of Apple Records. Today, we turn the spotlight on four records that positively smoke, by three soulful troubadours. The funky