Fans of vintage jazz can thank Cherry Red's él label for a number of recent reissues from such artists as Cal Tjader, Dave Lambert and Jon Hendricks, Herbie Mann and Antonio Carlos Jobim. In a Latin Bag and Saturday Night/Sunday Night at the Blackhawk combines two albums on one CD from Latin jazz pioneer Cal Tjader. The vibraphonist/percussionist recorded these long out-of-print albums in 1961 and 1962, respectively, at Verve under the aegis of future CTI chief Creed Taylor. By the time he
Ace's "Black America Sings Bacharach and David" Features Dionne, Aretha, Cissy, Nina and More
In retrospect, it might be telling that Burt Bacharach’s first recorded song, “Once in a Blue Moon,” was cut in 1952 by Nat “King” Cole. From those earliest days, Bacharach and his lyrical partner Hal David saw their songs recorded by a host of African-American artists: Johnny Mathis, Gene McDaniels, Joe Williams, Lena Horne, and Etta James among them. Once the duo began to change the sound of American music with their ultra-cool, sophisticated pop-soul compositions, those songs were most
Isn't That The Look of Love: Ace Reissues and Expands Lesley Gore's "Girl Talk"
The inviting cover image of Lesley Gore’s 1964 LP features the teenage star on the telephone, poised for some Girl Talk with her best girlfriends. Ace Records, following its expanded version of Gore’s shelved album Magic Colors, has recently reissued Girl Talk in similarly lavish fashion, with thirteen bonus tracks (Ace CDCHD 1383). Ace’s disc spotlights one of the great, largely unheralded “triangle marriages” in pop music – artist Lesley Gore, producer Quincy Jones and arranger Claus
Favorite Things: Resonance Celebrates Wes Montgomery, Charles Lloyd For Record Store Day, Plans Lost John Coltrane Concert For Fall
Resonance Records, known for its deluxe archival packages of recently-discovered recordings from jazz greats including Bill Evans and Wes Montgomery, has a busy 2014 ahead. The label has recently announced plans for two Record Store Day releases with more unheard Montgomery music and one RSD exclusive with never-before-released material from Charles Lloyd. Then, this fall, the label will premiere a live performance from John Coltrane for the first time on commercially released
Review: Miles Davis, "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3"
Miles Davis was never one to embrace the predictable. When many of his peers were turning to orchestrated pop-jazz and embellishing the era's AM radio hits, he was embracing rock and roll - not just the sound, but moreover, the spirit - with the vivacity of a younger man. Davis was 44 when he stepped onstage at Manhattan's Fillmore East for the series of concerts recently issued in full for the very first time as the third volume of his Bootleg Series. The title, Miles at the Fillmore - Miles
Hey Hey! They're Boyce and Hart - And You Can Help Complete Their Documentary!
For a few years in the halcyon days of the sixties, Tommy Boyce and Bobby Hart were on top of the world. Singers, songwriters and producers, Boyce and Hart - individually or collectively - were behind some of the most enduring hits of that era or any other: "Last Train to Clarksville," "(I'm Not Your) Stepping Stone," "Come a Little Bit Closer," "Hurt So Bad," "I Wanna Be Free," "Valleri," "Pretty Little Angel Eyes," and of course, the immortal "Theme from The Monkees." As if turning out hits
Review: Linda Ronstadt, "Duets"
Tonight, Linda Ronstadt receives her long-overdue recognition into The Rock and Roll Hall of Fame. But rock and roll, of course, played only a small - if key - role in Ronstadt's career. The breadth of that career is revealed on Rhino's new release of Linda Ronstadt - Duets (Rhino R2 542161), containing fourteen tracks originally released between 1974 and 2006 plus one previously unreleased performance. While there are no duets here from Ronstadt's Tony-nominated turn in Gilbert and Sullivan's
Reviews: Bayeté, Sandra Rhodes and Sid Selvidge Arrive from Omnivore
If you’re looking for a record label to do your deep crate-digging for you, look no further than Omnivore Records. The musical archaeologists there have unearthed three all-but-unknown records from artists on the fringe. But these fresh and vital discoveries from Sid Selvidge, Sandra Rhodes and Todd Cochran a.k.a. Bayeté will likely leave you wondering, “How have I missed this music until now?” Likely on the strength of his work on Bobby Hutcherson’s 1971 Blue Note LP Head On,
Big Break Has "Street Sense" With Two New Salsoul Reissues
Cherry Red's Big Break Records label continues its deep exploration into the vaults of Salsoul Records with two releases that might seem like business as usual for these artists, but are anything but. Street Sense, from The Salsoul Orchestra, isn't a Vince Montana-led extravaganza but rather a project helmed by Tom Moulton, "the father of the 12-inch remix." And Loleatta Holloway's self-titled 1979 album isn't a Philly-style banquet but rather a feast of southern soul. Street Sense is another
Little Esther, All Grown Up: Raven Collects Esther Phillips' First CTI Albums
As the premier vocalist on CTI Records' Kudu imprint, Esther Phillips (1935-1984) played a key role in producer Creed Taylor's "Cool Revolution" at CTI. A gifted vocalist, Phillips nonetheless struggled with personal demons throughout her too-short life. The former "Little Esther" had her first taste of success in 1949, just fourteen years old, and a taste of heroin not long after; stories of her mercurial behavior have entered into legend. But her talent was never in doubt. CTI recorded
The Animals' Alan Price Leads Musical "Andy Capp" From Stage Door Records
When the musical Andy Capp premiered at London's Aldwych Theatre (current home to Andrew Lloyd Webber's Stephen Ward) in September 1982, cartoonist Reg Smythe's beloved character took his place alongside Little Orphan Annie, Snoopy and Li'l Abner as comic strip creations-turned-musical heroes. The frequently inebriated, cap-wearing, chronically unemployed ne'er-do-well made his debut in The Daily Mirror on August 5, 1957 and readers quickly became engrossed in the daily gags featuring Andy, his
Review: Elvis Presley, "Recorded Live on Stage in Memphis"
Lord a-mighty, do you feel your temperature rising? Okay, "Burning Love" isn't among the songs on the new 2-CD Legacy Edition of Elvis Presley's 1974 Recorded Live on Stage in Memphis, but there's nonetheless plenty to get the pulse pounding and the pelvis swiveling. The original Memphis LP preserved The King's hometown show of March 20, 1974, and this reissue adds a live concert from two nights earlier in Richmond, Virginia plus five bonus tracks from an in-studio rehearsal session. Memphis
Review: Eric Carmen, "The Essential Eric Carmen"
The first track on Legacy Recordings' new double-disc anthology The Essential Eric Carmen (Arista/Legacy 88883745522) is titled, appropriately enough, "Get the Message." And the message relayed by its 30 nuggets comes through loud and clear: whether as power pop prince, classically-inspired MOR balladeer or nostalgic yet contemporary eighties rocker, Eric Carmen had the goods. Young lust never sounded as thrilling, as exuberant, or as pretty as it did in the hands of The Raspberries. Over
Ray Charles, Glen Campbell, Chet Baker, Peggy Lee Featured On Soundtrack Bumper Crop From Varese
Varese Vintage is going any which way they can with an exciting trio of soundtrack releases from the library of Snuff Garrett’s Viva Records label. Garrett, of course, was the producer behind major hits from Gary Lewis and the Playboys (“This Diamond Ring”), Cher (“Gypsys, Tramps and Thieves”) and future “Mama” Vicki Lawrence (“The Night the Lights Went Out in Georgia”). At Viva, he oversaw an eclectic array of releases from artists like the Midnight String Quartet, Alan O’Day, Ray Price and
Welcome Back: Edsel Reissues John Sebastian's Reprise Catalogue, Adds Previously Unreleased Live Concert DVD
Edsel is saying "welcome back" to John Sebastian with the recent release of a quartet of albums in one deluxe package: John B. Sebastian, The Four of Us, Tarzana Kid and Welcome Back. Edsel has bundled these releases, representing the Lovin' Spoonful founder's complete Reprise studio recordings, with a live concert DVD making its very first appearance anywhere. In Concert: John Sebastian Sings John Sebastian was broadcast by the BBC in October 1970, months following the release of John B.
Everybody Loves Somebody: Legacy Acquires Dean Martin's Reprise Catalogue, Launches Reissue Campaign
How lucky can one guy be... Dean Martin is said to have once observed that the two smartest decisions he ever made were partnering with Jerry Lewis...and breaking up with Jerry Lewis. When the split occurred, Martin was 39 years old, but convinced that a successful solo career was still ahead of him. Was he ever right! The former Dino Paul Crocetti was among the lucky few to have a successful second act in showbiz, and his career as just Dean Martin even eclipsed the first act as one-half
Brotherhood's "Complete Recordings" Show Another Side of Former Paul Revere and the Raiders Members
Rock's back pages are littered with "creative differences." Such differences split Paul Revere and the Raiders into two warring factions - Paul Revere and Mark Lindsay on one side; Phil "Fang" Volk, Mike "Smitty" Smith and Drake "The Kid" Levin on the other. The Volk-Smith-Levin triumvirate bristled at the more pop direction that the onetime garage band had been taking, and were none too pleased with the studio musicians being enlisted to beef up the Raiders' recordings. In early 1967, the
Hot Shots: Big Break Relights Dan Hartman's "Fire," Expands Sheryl Lee Ralph's Solo Debut
Talk about fusion! For "Hands Down," the opening cut of his 1979 album Relight My Fire, Dan Hartman enlisted rock and roll great Edgar Winter to weave his alto saxophone licks throughout the Latin-flavored disco track, and Stevie Wonder to provide his instantly recognizable harmonica. Hartman wasn't just a dilettante, but a regular musical renaissance man. A veteran of the Johnny Winter Band and the Edgar Winter Group, he wrote the latter's smash hit "Free Ride," and successfully completed
Hank Williams, Jaco Pastorius Lead Off Omnivore's RSD Slate
[youtube=http://www.youtube.com/watch?v=yUKPRPWCDHg] That change in the air pressure you're probably feeling around your favorite indie record store can only mean one thing: Record Store Day 2014 is coming your way. April 19 will see a host of beloved major and independent labels celebrating the good old resilient brick-and-mortar store with various titles sold exclusively at participating stores. And the beloved cratediggers at Omnivore Recordings have four exciting titles prepared for the big
Review: Dionne Warwick On Edsel Records
Dionne Warwick's third album bore the title Make Way for Dionne Warwick. But truth to tell, by the time of its release in September 1964, America had already made way for the New Jersey-born singer. She had climbed the charts with the immortal likes of "Don't Make Me Over," "Anyone Who Had a Heart," "Walk on By" and "Reach Out for Me," the latter two of which were included on that LP. Of course, all of those singles were written and produced by the team of Burt Bacharach and Hal David, who
Forever Dusty: Four New Releases Celebrate Springfield's Musical Legacy
Dusty Springfield’s ebullient first solo single, 1963’s “I Only Want to Be with You,” announced just how far the former Mary Isobel Catherine Bernadette O’Brien had come from her pop-folk trio The Springfields and the likes of “Silver Threads and Golden Needles.” The thunderous production and joyous vocals augured for a significant new talent, and the song was selected as one of the very first ever to be played on the BBC’s Top of the Pops. And indeed, Dusty Springfield remained at the top of
BBR Has "The Force" With Latest Kool and the Gang Remasters
Big Break Records is determined to make sure that Everybody's Dancin' with its latest two reissues from the kings of Kool. The Cherry Red label dived into the Kool and the Gang catalogue in late 2013 with deluxe, expanded editions of all four of the band's epochal albums with arranger-producer Eumir Deodato: Ladies' Night (1979, Platinum), Celebrate! (1980, Platinum), Something Special (1981, Platinum) and As One (1982, Gold). Prior to that, BBR had already given similarly lavish treatment to
Edsel is Still Mad About Belinda Carlisle with New Anthologies
After a series of great expanded CD/DVD reissues, Edsel will release not one but two career-spanning anthologies dedicated to former Go-Go's frontwoman/pop icon Belinda Carlisle. The Anthology collects three CDs and two DVDs worth of hits and rare content from the singer, whose late '80s run of singles included such impressive pop gems as "Mad About You," "Heaven is a Place on Earth," "I Get Weak," "Circle in the Sand" and "Leave a Light On." While Carlisle has been relatively quiet since
ABBA Celebrate 40 Years of "Waterloo" with New Reissue
It may seem trite and ridiculous to Americans, but across the pond there is one competition that's bigger than any Idol or X-Factor event in the music world: the Eurovision Song Contest. For nearly 60 years, dozens of countries in the European Broadcasting Union send a song and a performer to the live event, and a winner is selected by votes. Despite the immense popularity of the contest, it's interesting how few winners achieve true global superstardom. Sandie Shaw won with her signature
Review: Blood, Sweat and Tears, "The Complete Columbia Singles"
Blood, Sweat and Tears has much in common with Rodney Dangerfield - they get no respect. Though the band founded by Al Kooper, Steve Katz, Bobby Colomby, Jim Fielder, Dick Halligan, Randy Brecker and Jerry Weiss produced some of the most enduring pop singles of the late 1960s and early 1970s, the group has long lingered in the shadows of rock's back pages. Eclipsed in fame by Columbia Records labelmates Chicago, plagued by a series of acrimonious departures from the ranks, and pilloried for
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